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This is a fucking Happy Day for me!!! Just came upon this on youtube and wanted to post the news for everyone! Watch now, we all know how these things tend to vanish out from under us!

In case there was any doubt: Original instagram post: https://www.instagram.com/p/C5VV5yTs8o3/ Seems like the first 'fresh' recording since the reunion is in fact a cover, is Axl/Slash/Duff and Zak (Ringo Starr's son), and may be released soon.

He "hopes" Axl is mixing the track right now? great lol

The version Buckethead and Robin Finck would have recorded in 2000whatever would have been so much better!

It's not a true Guns N' Roses song without Frank Ferrer on the drums. Hard pass.

Its for SKMC. You can see the waveform on the screen, if it was for GNR it would be clipping

Pretty much know who’s showing up and who’s not… He’s already building up stocks for hiding.

Not the best quality but it’s a first look on the album cover sleeve

Poor Steven

Garden Of Eden. Because of this bit...

I'd be really surprised if GNR plays live at this. My prediction: Axl doesn't give a fuck, won't show up Izzy: doesn't give a fuck, won't show up Slash: doesn't give a fuck, will show up to boost public profile Duff: maybe gives a slight fuck, will show up with Susan Steven: loves every second, will show up all and stay night long

we have our first Axl sighting of 2024

Some fans are just weird as fuck. Collecting used band-aids is psycho behaviour.

Hope he's doing good.

Some of my phone photos from the UK leg of the tour

On my way home from the show and I have to say it was A LOT better than I expected. Band was great (Myles included, even though I’m usually not his biggest fan). The crowd seemed very into it although the older songs were received better than the 4 stuff. Slash was awesome! My favorites were Driving Rain, Back from Cali, Starlight, Dr Alibi, Bad Apples, WOF and Rocket man. I’d definitely go and see them again.

I think they should have done it, if there is any way to make Axl Rose's current live voice seem much better in the eyes of many it is having it side-by-side with Vince Neil's current voice which is way worse

Did we have all those snippets before? Really liked the Chris Robinson track, though it sounds a lot like Black Crowes (which I like anyways).

*CLICK* Hi there! So you wanna know what Axl is up to these days? Right on! But before we start, let’s make sure you click these links which will lead you to Patreon for our YT channel, plus just a bunch of nice sponsors; also please click on the subscription link so that you won’t miss any news as exciting as what you’re about to learn below! Oh and one more thing, you guys – when you’re on our YT channel, don’t forget to give us like, subscribe and hit that bell button! * Also, by clicking on this link, you’ve agreed to background installation of the McAffee Antivirus Trial Bundle, with activated monitoring and data sending to our carefully selected third parties. NOW, let’s finally get to business! Which in our case is: "what is Axl up to these days" So without further ado, the answer we found for you is... Information not available, Axl Rose has not been seen since November 2023. And that’s a wrap folks! Thank you for visiting us and don’t forget to subscribe to our newsletter! Index: - About us - Trustworthy sources (like us) - Scams and clickbaits - Ya pathetic fool - Webmaster

He also predicted Instagram.

maybe the lack of Myles Kennedy vocals and melodies

Maybe he got laid?

Great show tonight, I'm home and I'm knackered. @Dazey what did you think?

This thread is going so bad that people didn't even had any jokes on April 1st.

https://grammymuseum.org/hall-of-fame-gala/ Credits to @TheGNRGiirl on Twitter:

Mike Clink needs to do the next GNR album

Too bad he didn't predict that there would only be one more Guns n' Roses studio album after UYI (2 if you count TSI) so that fans could have been prepared.

This comment from Youtube lol: @Nitromessiah 7 hours ago This is one of the worst version of this classic song I've ever heard. Slash wrote 1-3 great licks, and has made an entire career off of it. He's just average at best, but he looks cool doing it.

The production value on both songs we have heard so far is orders of magnitude better than anything I have heard from Slash since WOF or from GNR since the early 90's. I wish someone could get Axl locked in a room and force him to listen to how well produced this new Slash stuff is and ask him how on earth he isn't ashamed to put the GNR name on the last batch of songs they have been releasing. Kudos to Slash on this project though as it feels fresh and dynamic despite being an album of cover songs. He clearly didn't mail it in and just slap his name on it as something to release to keep his name out there. I think my favorite thing about him is that regardless of what genre he is playing he manages to kind of fit in yet still sounds like himself and how you expect Slash to sound. When he played with Michael Jackson even I marveled at that how it was still clearly Slash but not Slash at all if that makes sense. I think he could make a killer southern rock style album with a guy like Chris Stapleton based on how good this song sounds.

On my way to the show in Copenhagen, let's gooooo

I noticed I had several of my covers restored from the dead. Maybe there's something finally going on with all of this bullshit.

What the fuck. That was perfect. An absolute demonstration of Force, Power and being the Guitar God. I'm a bit lost for words. Anybody who says that Slash has lost "it" should go and suck whatever he or she wants to suck.

Hope you enjoyed dude!! Totally...people who are lazy enough not to do 3 clicks, don't deserve the right to feel pissed....as the two fans walking back in the Glasgow rain were on a full on Glaswegian rant that only a Glaswegian can do "I THOUGHT HE WAS FUCKIN GLAD TO BE BACK IN GUNS N ROSES...TURNING HIS BACK ON THE MATERIAL THAT MADE HIM FUCKING SLASH....IM TWEETING HIM FOR A FUCKIN REFUND. CUNT" 😆

Even though you are joking, this is absolutely true.

Everything is fine as long as he doesn’t find his biker shorts

Alright, a little review of the Copenhagen show: It was my first SMKC show, and I got extra excited when I saw they were playing at KB Hallen, a small sports arena with a capacity of only 4900 visitors. I figured the stage would be low and the rail close to the stage, which turned out to be the case. I got a spot at the second row behind the rail and the view was ABSOLUTELY MAGNIFICENT. It was a bit unreal to see Slash 2-3 meters in front of me A few weeks ago I posted here that I'd keep an open mind about Myles Kennedy as a front man, as he seemed a bit lethargic in video clips. He is obviously a very skilled singer, but I think he lacks the charisma, attitude and grit a front man in a rock band should have. His mellow style was better suited for slower songs like Starlight, Bent to Fly and Rocket Man. But I have to give him that he had a lot of eye contact with the audience, and the segment where he asked the crowd to show pictures of their pets during Fill My World was fun. He walked around and pointed at several people's phones and made comments, he could actually see the pictures shown to him by the crowd in the front as the stage was so low and close (he liked my dog ). Todd Kerns has a hell of a stage presence though, and his vocals on Always on the Run, Doctor Alibi and Don't Damn Me were excellent. He really is a great performer. He also happens to be very attractive and has amazing hair (side note). All in all, the show had a good tempo, the crowd was mostly enthusiastic and I think the small venue created a good atmosphere. It was a great night!

so it will be out friday

I should really venture to this part of the forum more often... I did Birmingham, Manchester, and London. Had an amazing time! Got a pick in Manchester and a setlist in London! Here are some photos I took: https://www.instagram.com/p/C5bLyQWIoKL/?igsh=MXJoODI3aHB6OXJ5

Went last night. Have never been into his Conspirators albums but decided to check it out in case he did any Snakepit songs - he didn't. So that's my only disappointment. Otherwise was a good set. I'm unfamiliar with most of the albums but it all came across very well and I even found myself taking note of some of the tunes to look up later. Don't Damn Me was brilliant. I don't like Myles as a frontman. He's super nice and polite and I'm sure he's a lovely guy but a frontman he is not. Not for Slash. He's devoid of energy and charisma and I find he struggles to project his vocal. Most times his body language and the way he carries himself is totally at odds with the song he is singing. Tod is much better - no problems with projection, has brilliant stage presence, really fires the crowd up. The crowd was pretty energetic, I thought. Slash was on form as usual, always an absolute privilege to see him. Several times I found myself completely awestruck by him, not even thinking of pulling out a phone to film or anything, and everyone else around me wasn't filming so I guess we were all feeling the same way! Glad I went. Forgot to add: he came on earlier than I thought he would! 8:30! I can't remember the last time I saw an artist come on at that time. I was lucky I got there in time!

I saw that there's already a thread for this, but I don't think this analysis makes sense as page 3 in a discussion. Feel free to move if moderators disagree. The entirety of Li(v)e Era apart from It's Alright and Coma has been synched up to their original performance(s) and compared using Audacity, with Live Era as the left channel and the original performance(s) as the right channel. I have shared these combined tracks, as well as the Audacity files used to create them. There are also screenshots from Audacity which highlight what parts come from which UYI tour performance when this is applicable. When studio overdubs are mentioned, it refers to overdubs done by Axl in the process of putting together Live Era in the late 1990's. The timestamps given indicate which portion of the track is referred to. Next to the timestamp is the first phrase or the first few words in said portion. To the lyrics' right is a parenthesis which indicates the origin of the vocals. The overdub percentage numbers are approximate and only refer to studio overdubs, not vocal overdubs from other shows. Some of the crowd noise before and after tracks certainly isn't live since there's many occasions of them playing another song in the beginnings and ends of tracks on Live Era. Whether it comes from other parts of the same shows, or from other Guns N' Roses concerts, or somewhere else entirely is hard to say. I do not think there are any instrumental overdubs made in the studio in the late 1990's. Slash claiming that "It's as honest as it gets" is still misleading, but it's possible that this was only said in regard to the instrumental parts. It's unclear how and when the claims about which concert is the source for what song on sites like Spotify and Wikipedia originated. The latter cites: "https://www.slashparadise.com/discography/albums-guns-n-roses-1999-live-era.php." as its source. These claims are not entirely correct. For Welcome To The Jungle it's very likely wrong as all instruments and vocals seem to line up with a combination of 1992-01-25 Las Vegas and 1992-02-20 Tokyo. The first half of Patience seems to come from 1993-04-24 rather than 1993-04-23 which Wikipedia incorrectly suggests. With this in mind I think the claims made on the sources for It's Alright and Coma should be taken with a grain of salt, though I'd still consider the dates claimed to be the most likely. If anyone is aware of which show the speech between Mr. Brownstone and It's So Easy comes, please let me know. It's possible that it comes from 1991-01-20 Rio like the first half of It's So Easy. This is not complete, and should not be taken as absolute truth. --------------------------------------------------------- Nightrain - Las Vegas 1992-01-25 The vocals on this track are almost entirely studio overdubbed. Overdubbed vocals: 97,7% McBob shouting "Vegas" before "You wanted the best..." has been cut. 0:38-1:15 "Loaded like a freight train" (studio) 1:16-1:17 "I can tell you honey you can m"(Las Vegas) 1:18-5:16 "ake my money tonight" (studio) Mr. Brownstone - London 1991-08-31 The vocals on this track are almost entirely studio overdubbed. Overdubbed vocals: 98,8% The backing vocals in the "I used to do a little" parts starting at 1:26 and 2:50 do not match the original backing vocals by Izzy. The replacement backing vocals are believed to be sang by Robin Finck. 0:41-2:00 "I get up around seven" (studio) 2:02 "Oh!" (London) 2:40-3:23 "Now I get up around whenever" (studio) 3:24 "Oh!" (London) 3:28-3:58 "Leave me alo-one" (studio) 4:04 "Oh!" (London) 4:11-5:42 "Give me a little light" (unidentified 1990's show) (Rio?) It's So Easy - Paris 1992-06-06 (Rio 1991-01-20) This track is a hybrid of two performances. Overdubbed vocals: 0% All instruments are from Paris. 0:17-0:29 "I see your sister in a Sunday dress" (Rio) this part of the recording of Rio is missing, but it sounds like the rest of the vocals from Rio. 0:30-1:32 "Easy, everybody's trying" (Rio) 1:34-1:35 "Fuck off!" (Paris) 1:47-1:56 "You get nothing for nothing" (Rio) 1:57-1:58 "And I'm bored" (Paris) 2:00-2:34 "It's so easy, easy" (Rio) 2:35-3:13 "But it goes to show" (Paris) Welcome To The Jungle - Tokyo 1992-02-20 (Las Vegas 1992-01-25) This track is a hybrid of two performances as well as having extensive studio overdubs. Overdubbed vocals: 66,6% I believe the instruments are from both Las Vegas and Tokyo. Added guitar faintly in the first seconds. Vocals: 0:03-0:47 (intro screams) (Las Vegas) 0:55-1:17 "Welcome to the jungle" (studio) 1:18-1:21 "Oh! I wanna watch you bleed!" (Tokyo) 1:22-1:40 "Welcome to the jungle" (studio) 1:41-2:17 "My, my, my serpentine (Tokyo) 2:03-2:04 "Welcome to the jungle" (studio) 2:05-2:11 "It gets worse here every day" (Tokyo) 2:12-2:14 "You'll take it eventually" (studio) 2:14-2:19 "You can have anything you want" (Tokyo) 2:19-2:22 "Welcome to the jungle" (studio) 2:23-2:49 "Shanaananaana knees, knees, oh!" (Tokyo) 2:51-2:57 "Yeahayeahayeah no!" (studio) 3:46-3:51 "You know where you are? You're in the jungle baby!" (Las Vegas) 3:52-4:26 "You're gonna die!" (studio) Instruments: 0:00-1:41 Las Vegas 1:41-2:58 Tokyo - There's a shift in sound at 1:41, I think this marks the switch to Tokyo. The dissonant tone at 2:36 is not present in the recording of Las Vegas. 2:58-5:08 Las Vegas - Weird mixing at 2:58, and the guitars match very well around 3:40. Dust N' Bones - Ritz 1991-05-16 (London 1991-08-31) This track is a hybrid of two performances. Overdubbed vocals: 0% All the instruments are from Ritz which is why the timing between the instruments and the vocals from London is incorrect. Izzy suddenly becomes louder at 4:18. This is because his vocals around this time, unlike Axl's vocals, are from Ritz rather than London. Presumably there was a small error made when putting together Live Era. 0:05-1:56 "He lost his mind today" (Ritz) 2:00-4:13 "Sometimes you women are so easy" (London) 4:13-4:14 "That's alright" (Ritz) 4:15-4:17 "Dust N' Bones, that's al" (London) 4:17-4:18 "lright" (Ritz) 4:18-4:20 "Dust N' Bones" (London) 4:20-4:22 "That's alright" (Ritz) 4:22-4:24 "Dust N' Bones" (London) 4:24-4:25 "That's alright" (Ritz) 4:25-4:27 "Dust N' Bones" (London) 4:40-4:47 "Just Dust N' Bones" (Ritz) My Michelle - London 1991-08-31 The vocals on this track are almost entirely studio overdubbed. Overdubbed vocals: 99,6% Wrong note by Izzy (?) at 1:30 is only audible on Live Era, the volume on his guitar is too low in the audience recordings to compare to. Since I doubt they'd do such a poor job on a potential overdub, I think it's fair to assume that this mistake strongly suggests that they were unwiling to do instrumental overdubs. 0:48-3:36 "Your daddy works in porno" (studio) 3:39 "Michelle" (London) You're Crazy - Tokyo 1988-12-10 This vocals on this track are untouched. Overdubbed vocals: 0% Used To Love Her - Tokyo 1988-12-10 Most of the vocals on this track are original. Overdubbed vocals: 23,4% 0:55-3:07 "I used to love her" (Tokyo) 3:22-3:55 "I used to love her" (studio) 3:58 "That's all she wrote" (Tokyo) Patience - Mexico City 1993-04-24 (acoustic part)*, Las Vegas 1992-01-25 (electric part) The vocals on this hybrid track are untouched. Overdubbed vocals: 0% Being an audience recording of relatively poor quality, it's hard to say for certain that this is the correct show. I find it likely to be the correct show, and it definitely rules out any studio overdubs on this track. This song was made by combining the first part of an acoustic 1993 performance with the last part of an electric 1992 performance. 0:50-03:22 "Shed a tear 'cause I'm missing you" (Mexico City) 4:59-6:16 "Just a little patience, yeah, yeah" (Las Vegas) It's Alright - Houston 1992-09-04* Very likely to be original vocals. Overdubbed vocals: 0% No bootlegs or other known recordings of this show circulate publicly. *Tagged as Houston 1992 in official releases. November Rain - Tokyo 1992-02-22 The vocals on this track have been completely overdubbed in the studio. Overdubbed vocals: 100% Axl saying Dizzy at 2:59 has been almost completely muted on Live Era. On the bootleg soundboard recording this is much more audible. Coma - Omaha 1993-04-10* Very likely to be original vocals. Overdubbed vocals: 0% No bootlegs or other known recordings of this show circulate publicly. *This is believed to be from Omaha 1993 because of three factors. First, an audience recording claiming to be of this show sold on Ebay around 2010 had Coma as part of the track listing. Second, Axl claims they haven't played Coma in "probably a year or so" in the beginning of this track which lines up well with the previous known performance being the one in Chicago (1992-04-09). Third, there's a local Omaha newspaper article from 1993 which mentions Coma being played there. Out Ta Get Me - London 1987-06-28 This vocals on this track are untouched. Overdubbed vocals: 0% You can faintly hear Axl say "I'm gonna dedicate this, to the press, that don't like us" on Live Era. On the bootleg soundboard recording this is much more audible. Pretty Tied Up - Tokyo 1992-02-22 The vocals on this track have extensive studio overdubs. Overdubbed vocals: 86,5% Axl singing "She's the right one" repeatedly towards the end of the song has been cut entirely and not replaced. 0:29-0:33 "The Perils Of Rock N' Roll Decadence" (Tokyo) 0:56-2:05 "I know this chick" (studio) 2:06 "But check it out" (Tokyo) 2:08-3:20 "Pretty Tied Up" (studio) 3:21 "Cool ranch dressing" (Tokyo) 3:22-3:53 "Pretty Tied Up" (studio) 4:47-5:11 "I can tell you a thing or two about something else" (Tokyo) Yesterdays - Las Vegas 1992-01-25 This vocals on this track are untouched. Overdubbed vocals: 0% Talk before the song starts has been muted. The cheering after the song has been extended, whereas they actually started playing My Michelle very soon. Move To The City - Tokyo 1992-02-22 The vocals on this track are almost entirely studio overdubbed. Overdubbed vocals: 97,7% Amusingly, even the band introduction was overdubbed. 0:02-0:06 "This is from live like a suicide" (Tokyo) 0:46-3:51 "You pack your bags" (studio) 7:46-7:48 "Something something get a beer" (unidentified 1990's show) You Could Be Mine - Tokyo 1992-02-22 The vocals on this track have extensive studio overdubs. Overdubbed vocals: 41,6% Axl saying "Perhaps a little Arnold for you" in the beginning has been muted. Axl saying "You could be mine" at 5:16 has been muted. 1:11-1:33 "I'm a cold heartbreaker fit to burn" (studio) 1:34 "Oh!" (Tokyo) 1:36-1:59 "Cause you could be mine" (studio) 2:00 "Oh!" (Tokyo) 2:13-2:35 "Holidays come and then they go" (studio) 2:36 "Oh!" (Tokyo) 2:37-3:12 "Cause you could be mine" (studio) 3:14-3:26 "You could be mine" (Tokyo) 3:26-3:46 "You've gone sketchin' too many times" (studio) 3:47-5:35 "Another reason to cry" (Tokyo) Rocket Queen - Las Vegas 1992-01-25 The vocals on this track are almost entirely studio overdubbed. Overdubbed vocals: 98,5% Parts of Slash's speech in the beginning is cut out. Adding this back in shifts everything by 34 seconds. Hence an additional timestamp is provided for these vocals to indicate timing that correlates to Live Era. 2:05-2:39 "If I say I don't need anyone" (studio) (1:31-2:05) 2:43-2:46 "Oh! Smile!" (Las Vegas) (2:09-2:12) 2:51-3:25 "I've seen everything imaginable" (studio) (2:17-2:51) 3:28-3:29 "Oh! Oh!" (Las Vegas) (2:54-2:55) 5:57-6:17 "Here I am, and you're a Rocket Queen" (studio) (5:23-5:43) 6:18 "Oh!" (Las Vegas) (5:44) 6:55-8:50 "I see you standing" (studio) (6:21-8:16) 8:52 "Yeah" (Las Vegas) (8:18) Sweet Child O' Mine - Paris 1992-06-06 The vocals on this track have been completely overdubbed in the studio. Overdubbed vocals: 100% Bad Time intro has been muted but parts of it remain faintly audible in the beginning of the intro. Axl's original vocals are faintly audible starting at 6:11 "Chi-ild, chi-ild…". Knockin' On Heaven's Door - London 1992-04-20 Only two words have been overdubbed. Overdubbed vocals: 0,9% At 1:33 Axl singing "Ooohh yeeahah, ooh yeah" has been muted, it remains faintly audible. 0:37-5:04 "Mama take this badge from me" (London) 5:05-5:06 "Heaven's door" (studio) 5:06-7:13 "Wooaoaoawaoo ooooh yeah" (London) Don't Cry - Tokyo 1992-02-22 This vocals on this track are untouched. Overdubbed vocals: 0% Estranged - Tokyo 1992-02-22 The vocals on this track are almost entirely studio overdubbed. Overdubbed vocals: 95,4% 0:38-3:34 "When you're talking to yourself" (studio) 3:36-3:39 "Alone! Oh!" (Tokyo) 3:49-4:08 "So nobody ever told his baby" (studio) 4:09-4:13 "Ladies and gentlemen, on the keyboards" (Tokyo) 5:44-6:20 "When I find all of the reasons" (studio) 6:49-6:52 "Well I jumped into the river" (Tokyo) 6:52-7:38 "Too many times to make it home" (studio) 7:38-7:44 "Ow! Ahhh (whistle)" (Tokyo) 8:32-9:19 "I never found anyone to replace you" (studio) Paradise City - Las Vegas 1992-01-25 (London 1992-04-20) This track is a hybrid of two performances. Overdubbed vocals: 0% Mother intro cut. There are clear instances of instruments from Las Vegas under vocals from London, see odd note at 4:06 for an example. I think it's fair to assume the entire instrumental performance is from Las Vegas. The chorus vocals edited in from London are an absolute mess. Axl singing "Take me down..." the second time in the first chorus (2nd time in the song) and "Won't ya take me home" the second time in the second chorus (4th time in the song) are used for every chorus. The only exception from this is the first chorus in which the original "Why won't ya" lines are used instead of the the first part of "Won't ya take me home" (4). Numbers after voice-lines denote which time he sang it in the original performance. A 2 indicates the second time Axl sang a particular line. These numbers are only present when the line is used in a different part of the track on Live Era than on the original performance. 0:49-0:53 "Take me down…" 2 (London, incorrect line) 0:54-0:55 "Why won't ya" (London) 0:56-0:58 "Take me home" 4 (London, incorrect line) 0:59-1:05 "Take me down… why won't ya" (London) 1:06-1:08 " Take me home" 4 (London, incorrect line) 1:08-2:10 "Look out! (Las Vegas) 2:19-2:31 "Rags to riches or so they say" (London) 2:31-2:47 "Take me down" 2, Won't ya take me home 4, Take me down 2 (London, incorrect line) 2:47-2:51 "Won't ya take me home" 4 (London) 3:01-3:13 "Strapped in the chair" (Las Vegas) 3:14-3:28 "Take me down" 2, Won't ya take me home 4, Take me down 2 (London, incorrect line) 3:29-4:02 "Won't ya take me home" (Las Vegas) 4:03-4:12 "So far away, so far away" (London) 4:13-4:25 "Captain America has been torn apart" (Las Vegas) 4:26-4:44 "Take me down" 2, Won't ya take me home 4, Take me down 2, Won't ya take me home 4 (London, incorrect line) 4:44 "Take it!" (Las Vegas) 4:54-5:00 "Take me down" 2, Won't ya 4 (London, incorrect line) 5:01-6:45 "Take me hooooomeeee" (Las Vegas) --------------------------------------------------------- November 2022 - Waemoth

Axl has time traveled to 1999 to record the vocals.

Perhaps block her then, so you don't have to read her threads. Do you do this shit in real life? I mean if you find a woman with autism do you constantly make passive aggressive comments to them? It's every thread at this point.

What the fuck do you know? That's right! You don't know jack fucking shit, and you act like you know everything. You don't know jack fucking shit you fucking ignorant, know it all, fucking deluded, misguided, self important, self righteous, pious, small minded, clueless, loud mouthed, arrogant cunt. disheartening to see you abuse your privileges and the little power you have here. You come across as arrogant and self-righteous, trying to assert authority where you don't have any. I'm disappointed that you continue to share your opinions in a way that seems hurtful to others and self-promotional. Your credibility is questionable, and it's like some events have been misremembered or misrepresented. Just to clarify, I don't work for you, and your opinions don't hold any weight for me or others in this community. Your behavior is concerning, and it seems you enjoy creating drama online. Maybe it's time to find a different channel where you can better express yourself. For the rest of you... Surprise gigs comin'!!

Motley Crue could never compose a song like "Locomotive," "Coma" or "Estranged." Even their best albums like Shout at the Devil and Dr. Feelgood sound like relics from a bygone era. GN'R music has aged much better, imo.

Imo, Motley is such a joke of a band, so I'm glad that never happened.

Lets fucking gooo, 3 days until Dublin show kicks off the next leg🇮🇪🇮🇪🇮🇪🇮🇪

1. Silkworms 2. T.W.A.T. (with Silkworms snare) 3. Slikworms snare 4. Silkworms snare (+3db) hidden track - Silkworms (without snare)

Good to see him, but man, he looks like a homeless.

I still find it strange people say Axl really cares about getting these songs out there. it's 2024 and of the 32 done in 2006, 18 have been released officially. considering nearly all of those songs came from the 98/99 sessions we're talking 26 years later. I mean, did he even expect to live this long? he's 62. and he still hasn't released them. That doesn't smack of someone that gives a damn about these songs. maybe he did between 98-2008. but he hasn't given a damn since. I think it's much more, those are the songs he's got and his vocals for the most part are still amazing on them and he cannot be arsed to go through the whole writing recording releasing process again, even with slash and duff. Plus he can't sing in his most famous register anymore. I don't blame a guy in his 50s and 60s for not giving a damn anymore, but it's the tease to the fans and the promise of so much more. The worst thing is idiots here will say 'Axl don't owe you a thing' - well actually he kind of does. If he says he has songs to release that GnR fans will like, and I buy tickets to his show and invest in his product and brand etc, then yes he does owe me. He owes me those songs. That's not entitled. that's literally the transaction between musician and fans. And if he doesn't want to do that anymore, that is fine, just tell us. The 16 years since CD has been cruel on fans. So to justify it, people make out he's tinkering away and trying to give us the absolute best product possible coz he doesnt want to let us down. Then releases the 4 worst mix and mastered songs in the bands entire catalogue! I actually like all 4 songs, but they are dreadfully produced and do not smack of anyone spending any quality or caring time on them.