ZoSoRose

Maybe it’s to launch another $200,000 watch or a pizza restaurant chain

I am all- wise

Chinese Democracy 2

Speaking of crazy ol' Rog- I picked up a killer Roger Waters bootleg from the 80s called "Roger". Creepy cover of someone in "The Wall" student mask. It is killer! He had a great band. It is from the tour after he had Clapton but the lead guitarist does a great job. I have also picked up quite a few Floyd boot records over the past year and am eagerly awaiting an incredible "The Wall" boxset with two complete shows from the 1980 tour in LA. It looks like a must- have so I can't wait for it to arrive. Even comes with an exact replica tour program from the original 1980 tour. I need to dig out my Roger 2010 program someday.

No way that’s intentional. Sorry to burst peoples bubble. It was clearly a mistake.

No way that’s real

Taken from the Led Zeppelin forum is a fascinating write- up on the history of bootlegged LZ records. I put it in spoilers below due to its length. It is relevant to GNR since quite a few of our classic bootleg GNR records and CDs were pressed by labels such as Waggle and Toasted. The practice no- doubt continues with different teams and people, today. Many of the modern releases come from Italy where I believe the laws are more relaxed. The best way to get the new stuff is to join Facebook groups and get a good connect in Europe to buy them from. You get the first pick for new releases before they quickly sell- out and become hard to find and more expensive. Either way, it is very expensive (especially with the rate- exchange and overseas shipping). That is what I do although you have to watch out for an ocean of scammers! Based on my time collecting over the past 13- months, I would agree the golden year for rock n' roll bootleg records was the 1980s. So much stuff was coming out with weird and cool artwork. The sound on a lot of these older pressings is pretty great (of course it also depends on audience- recording or soundboard quality), too since the majority seem to press from lower generation tapes. I believe we have entered another "golden age" with the vinyl resurgence. You can get a lot of cheap single or even double bootlegs of repressed shows and half- assed artwork. No- doubt digital rips from YouTube, but it is still nice to have some of these albums if you just want the music on wax for a good price. An example of a cheap, modern GNR bootleg record like this would probably be that "new" Chicago 92 release, @GoBucky. On the other- hand, there are also a lot of high- quality and collector- based new releases are coming out every month for a lot of bands- usually numbered with color artwork in gatefold jackets, and sometimes they even include trinkets like posters, reproduced tour programs, certificates, photos, etc. Are these things necessary? No, but sometimes it is nice to have something that feels unique and official while knowing it is a bootleg of a "forbidden show". These are still probably not pressed from the original tape plates for a lot of these shows, and are still surely digital, but when they are pressed well, the sound quality is just as good as in the old days. A good example is the Led Zeppelin "Blueberry Hill" show. This is arguably the most famous Led Zeppelin bootleg show of all time. Despite that, it was never pressed in its entirety on vinyl until only, last year! The recording picked is a matrix (combo of different audience sources) that was then remastered and put onto YouTube. The bootleggers no- doubt took this recording and decided to press it. Is it ethical? Well, that is not a good question to ask when looking into concert bootlegs, but it sounds phenomenal on vinyl! @izzyjim asked in here earlier why someone would buy a poor copy of a digital source on vinyl. I think there are degrees of quality even for a digital press. Are the Rox Vox GNR albums I have stellar sound quality in comparison to that compete Led Zeppelin Blueberry Hill or the GNR Tokyo 92 box? I don't think so. I also had two different pressings of a 1969 Zeppelin show. Both were modern boots of the same show and soundboard source and one sounded great, and one sounded muffled (I gave it away). It is good to have options for different price points based on sound quality, packaging, etc. It is also nice knowing I now have these albums to play for the rest of my life without having to worry about it getting taken down on the internet or losing the file. That being said, is this any different than buying the CD boots or cultivating files on the computer? Aside from being more expensive and more inconvenient, I guess not. In- fact. this write- up is probably just the ramblings of a moron who is bad with his money, likes to fixate and collect things, and is choosing to procrastinate at work at the moment....

That's awesome you were at Chicago 1992. Definitely in the running for one of their greatest shows. I hope the entire thing gets pressed someday, but I should at least pick up a DVD boot of it. Casino and all the other big boot labels are probably run by the same guy or team tbh. I think I know who runs at least Casino/Godfather/Golden Egg/Eat a Peach (all the same) and I have tried to drop hints that more GNR, especially a good full reunion show, would sell well. Doubt it does any good It is just like how back in the day Waggle/Rock Solid/Amazing Stork/Pheonix/TAKRL/Toasted/Condor/International were all the same guy or teams and labels masquerading as different labels from fake places. It all stemmed from the original Trademark of Quality albums o the 1970s, I think. Fascinating stuff!

Nice! I would like to still track down Perkins Palace 87, Deer Creek 91, and Chicago 92. The latter two are modern pressings and aren't the complete shows which is a bummer. There are some incredible modern bootleg labels like Casino Records that put out great albums with stellar colored wax and art/packaging. I don't know why they haven't tackled a complete GNR show, yet. The Rox Vox sets are okay for the prices they go for, but the art is sort of tacky and the music is just digitally ripped. Still well- worth having, especially the Tokyo 88 and Argentina 93 sets because those shows are so good. My favorite modern GNR boot is definitely the Tokyo 92 boxset I got, last year. The sound and presentation are killer, and I would argue it is a must- have for any GNR record collector. My overall favorite GNR records sets has to be the Ritz 91 in the UYI box, though. Fucking awesome.

Just found the newer pressing of Chile 1992 for a good price online. Pulled the trigger on that, too

Cool! Seems you have a copy of “Fun in the Dangerzone”, too. Love it. Need some more old ones

Alright, it came and I am spinning it now! "Fun in the Danger Zone"- Hammmersmith Odeon- London, England 1987 (vintage bootleg) Can't find much on it but it is a very rare Japanese pressed bootleg of the complete 1987 Hammersmith Odeon show. A little hazy but overall a superb audience recording in pretty great quality. Axl is front and center on this set and he sounds absolutely killer. He is quite talkative, too. I believe this album was pressed in 1988 and it has really cool labels and a heavy cardboard jacket. Super happy with this score. I got lucky and scooped it up for a killer price.

What about it? Issues aren’t black and white, and Israel has done plenty wrong. Fuck the Iranian government for what they do to their own country

lol fuck Iran. I say that as a half Iranian- American. Would love to see the leaders of that country blown to shit someday. They are human garbage and any country that aligns with them can fuck right off too (although the US is allies with trash Saudi Arabia, too). I am thrilled they got humiliated so bad, last night. They are bullies who oppress their own people and treat women like property. Supreme Leader can fuck off to hell

Jesus Christ

I agree that the "Golden Age" of superhero movies is over and there is nothing wrong with that. 2008- 2019 is a huge run for being the top- genre. I do also agree that good movies will continue to get box office returns, but it is crazy that you could slap a cape on a B or C list character and easily break $600,000,000+ with bad to middling reviews during that time frame. Now, even MCU movies can struggle as seen with The Marvels and Antman 3. I saw every MCU movie (except The Hulk) in theaters from Iron Man to Endgame. I think I have only seen two superhero movies in theaters since Endgame (Spider-Man: No Way Home and Guardians of the Galaxy Vol. 3). You no longer get FOMO from not seeing all the MCU movies in theaters, as the newer ones have overall been less interesting and more disjointed. They introduced way too many new characters and stories and oversaturated the market with a flood of inconsistent TV shows, then had a lot of the meh stories and new- characters go nowhere. It's all good, though. Comic book movies will continue to get made and some will be big successes in terms of critical reception and revenue, but the era of $500,000- $1,000,000,000 grossing B- list comic book movies is gone.

Sound sounds great to me. Would have been cool if he did the second part, too

They should tour! Call the band Headless Cross and tour theaters. I’d go

Have you ever seen X Japan?

Monsters is a cool title

I can’t wait to watch this

Jungle

100% Getting that and Soul Monster cements it. I’d gladly take more (Zodiac, Oklahoma, and Tonto with vocals would be amazing… would be curious about Seven too), but it’s all gravy. The General and Soul Monster were far and away the most wanted grails left. Getting those in October really helps close a chapter. Plus, we have Atlas, Checkmate, and a lot of the others at least instrumentally that we were after for years and years

Hol. E. Fuck. Can’t believe that rumor was real. Hope to hear the track soon

I’d grab it. It’s a nice momento for a good price. Band sounds pretty good, and we’re all desensitized to Axl now anyways