dogman Posted May 3, 2020 Share Posted May 3, 2020 Was thinking about it the other day - if I had to pick my favorite moment or contribution from each member of GNR's entire lineup, what would that list look like? So here you go: AXL - the following from Don't Damn Me. Love the lyrics, love the voice Axl uses, love the melody, love the vocal effects - this part of the song is just great. I know you don't want to hear me crying An I know you don't want to hear me deny That your satisfaction lies in your illusions But your delusions are yours an not mine We take for granted that we know the whole story We judge a book by it's cover and read what we want Between selected lines SLASH - solo in It's So Easy. A short but BADASS solo that matches the energy and attitude of the whole song. Love it. IZZY - Patience DUFF - intro to SCOM STEVEN - Mr. Brownstone MATT - Locomotive - might be some of my favorite drumming in the whole GNR catalog. Love the story about Matt using a little jazz kit on this song, too. DIZZY - Estranged piano solo...I guess GILBY - his live performances...I guess TOMMY - his fills on the second half of TWAT ROBIN - Better JOSH - his drumming during the TWAT solo BUCKETHEAD - TWAT solo CHRIS - Madagascar synth BRAIN - his drumming on Shackler's FRANK - his badass fill at the end of the Bucket solo in IRS BUMBLEFOOT - his outro in CITR DJ - his live performances...I guess FORTUS - his contribution to the riff in the Better chorus MELISSA - her live performances...I guess. (Her backing vocals on Madagascar) Feel free to share yours. 1 Quote Link to comment Share on other sites More sharing options...
Sydney Fan Posted May 3, 2020 Share Posted May 3, 2020 (edited) None of the current lineup interest me except the main 3. I still dont know what melissa does, except for the odd background vocal live. Matt for his contribution to the illusions and TSI albums. Izzy and steven for lies and AFD. Izzy for his vocals on 14 years and dustn bones and writing "think about you". Dizzy for being the multi-instrumentalist that he is (bongos, maracas and piano 😛). The fact that is the longest serving band member of GNR...who would have thought. Slash for the outro on nighttrain and intro to my michelle. Both solos on breakdown and solo on dont damn me. For having the balls during the illusion era to read every press interview and giving approval before allowing the magazine/paper to publish the interview with fear of being misinterpreted, and in the same breadth going on record as saying "fuck censorship"). Axl for the onstage rants 87 to 93, and for being a recluse during the lowtimes. Coming onstage during the US shows late last year, looking fatter than the michelin man. Hes now embraced his inner boomer and happy. Ashba for being a 4th rate slash clone with the audacity to wear a tophat as well. I never knew whether he was being sarcastic wearing it or just plain dumb. Edited May 3, 2020 by Sydney Fan 2 2 Quote Link to comment Share on other sites More sharing options...
History2010 Posted May 3, 2020 Share Posted May 3, 2020 (edited) I'm just gonna do some members: Axl - TWAT outro. Slash - all of his playing on Estranged Duff - his playing on Coma Izzy - everything about 14 Years, so badass Adler - drumming on Mr. Brownstone Dizzy - playing on Civil War Sorum - drumming on Locomotive Robin - TIL solo Bucket - Sorry solo (special mention to his live Nightrain solo) Edited May 3, 2020 by History2010 2 Quote Link to comment Share on other sites More sharing options...
MaskingApathy Posted May 3, 2020 Share Posted May 3, 2020 1 hour ago, dogman said: Love the story about Matt using a little jazz kit on this song, too. What is the story? Quote Link to comment Share on other sites More sharing options...
Zinia_29 Posted May 3, 2020 Share Posted May 3, 2020 1 hour ago, dogman said: Was thinking about it the other day - if I had to pick my favorite moment or contribution from each member of GNR's entire lineup, what would that list look like? So here you go: AXL - the following from Don't Damn Me. Love the lyrics, love the voice Axl uses, love the melody, love the vocal effects - this part of the song is just great. I know you don't want to hear me crying An I know you don't want to hear me deny That your satisfaction lies in your illusions But your delusions are yours an not mine We take for granted that we know the whole story We judge a book by it's cover and read what we want Between selected lines SLASH - solo in It's So Easy. A short but BADASS solo that matches the energy and attitude of the whole song. Love it. IZZY - Patience DUFF - intro to SCOM STEVEN - Mr. Brownstone MATT - Locomotive - might be some of my favorite drumming in the whole GNR catalog. Love the story about Matt using a little jazz kit on this song, too. DIZZY - Estranged piano solo...I guess GILBY - his live performances...I guess TOMMY - his fills on the second half of TWAT ROBIN - Better JOSH - his drumming during the TWAT solo BUCKETHEAD - TWAT solo CHRIS - Madagascar synth BRAIN - his drumming on Shackler's FRANK - his badass fill at the end of the Bucket solo in IRS BUMBLEFOOT - his outro in CITR DJ - his live performances...I guess FORTUS - his contribution to the riff in the Better chorus MELISSA - her live performances...I guess. (Her backing vocals on Madagascar) Feel free to share yours. so happy that you mention Don't damn me. One of my most favourites. Everything in this is perfect. 2 Quote Link to comment Share on other sites More sharing options...
ToonGuns Posted May 3, 2020 Share Posted May 3, 2020 1 hour ago, MaskingApathy said: What is the story? If you have a listen you can tell when he switches kits. More easily noticeable with the snare - he has a little piccolo snare for rolls etc before switching back to the badass reverb rock snare. 1 Quote Link to comment Share on other sites More sharing options...
Popular Post Len Cnut Posted May 3, 2020 Popular Post Share Posted May 3, 2020 Izzys guitar work. i know this is often slung around by the whole 'they're nothing without Izzy' brigade (and that theory is not without its merits) but if you REALLY listen and break that shit down some of the stuff he is doing is amazing and its not just that old idea of Iz' the rhythm supremo juxtaposed with Slash and his lead work, a lot of what Iz' does is lead work, there's an incredible sense of groove to what he does, without which GnR is (and some might argue has been since he left) kinda flat whiteboy music. Izzy is the shit you dance to, that makes your head bob (as opposed to bang). Listen to all their Izzyless shit. Its good don't get me wrong but there's little to it to make your head bob and that is the timeless shit in music, when its all said and done because eventually, when it comes to 'deep' lyrics or fuckin' marvelling at flashy shit, that dates, its just the way it is, eventually you just file it under 'understood' but that snappy toe tappy shit, that thing that makes you want to move, that lasts forever, thats why Appetite endures over and above anything GnR ever did, cuz it makes you want to move...and they rarely ever made you want to move again after it cuz they decided they wanted to be fuckin' Queen. There's spots of it in Illusions, don't get me wrong, Locomotive has some groove to it...but that shit is few and fare between on the later shit. Go onto youtube and check out those fuckin' isolated Izzy track shits, its some amazing work that he did on those records. 5 1 Quote Link to comment Share on other sites More sharing options...
2020_Intensions Posted May 3, 2020 Share Posted May 3, 2020 Dizzy - 14 Years piano Quote Link to comment Share on other sites More sharing options...
Popular Post James Bond Posted May 3, 2020 Popular Post Share Posted May 3, 2020 DJ Ashba - Quitting Pitman - Quitting 7 1 11 Quote Link to comment Share on other sites More sharing options...
El Guapo Posted May 3, 2020 Share Posted May 3, 2020 (edited) 3 hours ago, Len Cnut said: Izzys guitar work. i know this is often slung around by the whole 'they're nothing without Izzy' brigade (and that theory is not without its merits) but if you REALLY listen and break that shit down some of the stuff he is doing is amazing and its not just that old idea of Iz' the rhythm supremo juxtaposed with Slash and his lead work, a lot of what Iz' does is lead work, there's an incredible sense of groove to what he does, without which GnR is (and some might argue has been since he left) kinda flat whiteboy music. Izzy is the shit you dance to, that makes your head bob (as opposed to bang). Listen to all their Izzyless shit. Its good don't get me wrong but there's little to it to make your head bob and that is the timeless shit in music, when its all said and done because eventually, when it comes to 'deep' lyrics or fuckin' marvelling at flashy shit, that dates, its just the way it is, eventually you just file it under 'understood' but that snappy toe tappy shit, that thing that makes you want to move, that lasts forever, thats why Appetite endures over and above anything GnR ever did, cuz it makes you want to move...and they rarely ever made you want to move again after it cuz they decided they wanted to be fuckin' Queen. There's spots of it in Illusions, don't get me wrong, Locomotive has some groove to it...but that shit is few and fare between on the later shit. Go onto youtube and check out those fuckin' isolated Izzy track shits, its some amazing work that he did on those records. Yes, as I often say, Izzy brought the cool, musically and style wise. I feel like Steven's drumming style was just as important as well, that swing he brought makes you wanna move as well. Remove both these elements and it's a very different sound as a whole. Edited May 3, 2020 by El Guapo Quote Link to comment Share on other sites More sharing options...
Blackstar Posted May 3, 2020 Share Posted May 3, 2020 38 minutes ago, 2020_Intensions said: Dizzy - 14 Years piano Axl plays piano on this, not Dizzy. 1 Quote Link to comment Share on other sites More sharing options...
soon Posted May 3, 2020 Share Posted May 3, 2020 (edited) Axl - Coma, outro (special mention to Breakdown, Rocket Queen, DDM, Estranged...) Slash - Locomotive, writing and guitar work (special mention, DTJ solo) Izzy - Night Train, writing and guitar work (special mention to Reckless Life, WTTJ and every gosh darn thing this master has ever touched!) Adler - Reckless Life (special mention to Rocket Queen) Duff - SCOM intro (special mention to Reckless Life) Matt - DTJ Gilby - SIDHY, acoustic guitar Dizzy - Civil War, piano (special mention to organ on Back and Forth Again) Finck - TWAT solo (special mention to TIL solo) Bucket - TWAT solo (special mention to Sorry) Tommy - Street of Dreams, bass line Brain - Shacklers, writing, arranging, drumming Paul - Catcher (TBH I dont know his specific contributions, but its a fantastic track and he's credited) Mel - Sorry, vocals and synth Fortus - Better, guitar riff in chorus Edited May 3, 2020 by soon 1 Quote Link to comment Share on other sites More sharing options...
Lies They Tell Posted May 3, 2020 Share Posted May 3, 2020 2 hours ago, Len Cnut said: Its good don't get me wrong but there's little to it to make your head bob and that is the timeless shit in music, when its all said and done because eventually, when it comes to 'deep' lyrics or fuckin' marvelling at flashy shit, that dates, its just the way it is, eventually you just file it under 'understood' but that snappy toe tappy shit, that thing that makes you want to move, that lasts forever, thats why Appetite endures over and above anything GnR ever did, cuz it makes you want to move...and they rarely ever made you want to move again after it cuz they decided they wanted to be fuckin' Queen. Not sure what your point here is. November Rain and Queens music has stood the test of time just like the music of Appetite has. J. S. Bach's or Beethovens music isn't exactly danceable, but people still love it after all these years. That shit has proven to last forever. I agree that AFD is the most danceable GNR album and it's because of Izzy, but I don't think that danceable music endures any better than "deep" music does. 1 Quote Link to comment Share on other sites More sharing options...
Len Cnut Posted May 3, 2020 Share Posted May 3, 2020 2 minutes ago, Lies They Tell said: Not sure what your point here is. November Rain and Queens music has stood the test of time just like the music of Appetite has. J. S. Bach's or Beethovens music isn't exactly danceable, but people still love it after all these years. That shit has proven to last forever. I agree that AFD is the most danceable GNR album and it's because of Izzy, but I don't think that danceable music endures any better than "deep" music does. Beethoven and Bach are a completely different conversation though, I was talking about rock music here and my basic point is that the more elaborate stuff kinda falls in and out of favour but when you look at the stuff that is more geared towards what rock n roll was about in the first place i.e. making the joint jump, that stuff seems to endure, not just in the sense of the work itself but future generations. If you look at it the era of elaborate (some might say pompous) rock music was relatively short lived and, some might argue, kinda signalled the end of the beginning of the end of rock as a genre. Quote Link to comment Share on other sites More sharing options...
Rovim Posted May 3, 2020 Share Posted May 3, 2020 (edited) 30 minutes ago, Len Cnut said: Beethoven and Bach are a completely different conversation though, I was talking about rock music here and my basic point is that the more elaborate stuff kinda falls in and out of favour but when you look at the stuff that is more geared towards what rock n roll was about in the first place i.e. making the joint jump, that stuff seems to endure, not just in the sense of the work itself but future generations. If you look at it the era of elaborate (some might say pompous) rock music was relatively short lived and, some might argue, kinda signalled the end of the beginning of the end of rock as a genre. but isn't that mainly cause hard rock was the final step in the lineage kinda? blues, rock n' roll, punk/rock, hard rock, metal, a few shit attempts (nu metal, progressive, etc) and that's it? Nirvana for example is punk but also hard rock. It is probably timeless. Zeppelin is timeless as well and leans towards metal and is very elaborate especially Page's guitar work. Slash is not just one thing. He leans towards hard rock the most, but there are strong elements of rock n' roll in his lead playing, even punk imo but that is just more of a flavor. You can't label a musician with a ton of personality as just one thing cause sometimes they're bigger than that and I think Slash is just as good as Izzy is in being himself, amazingly gifted but his gift is to sing through his guitar and he has a lot to say. Izzy got the groove, the effortless songwriting ability and his sparse approach to the instrument might speak to you more, but there's a reason why they sounded so good together and it came together so perfectly on Appetite: they both had the right stuff for it. Both understand rock n' roll and the importance of doing it tastefully (or at least had it at one point in time) Edited May 3, 2020 by Rovim 1 Quote Link to comment Share on other sites More sharing options...
Len Cnut Posted May 3, 2020 Share Posted May 3, 2020 6 minutes ago, Rovim said: but isn't that mainly cause hard rock was the final step in the lineage kinda? blues, rock n' roll, punk/rock, hard rock, metal, a few shit attempts (nu metal, progressive, etc) and that's it? Nirvana for example is punk but also hard rock. It is probably timeless. Zeppelin is timeless as well and leans towards metal and is very elaborate especially Page's guitar work. Slash is not just one thing. He leans towards hard rock the most, but there are strong elements of rock n' roll in his lead playing, even punk imo but that is just more of a flavor. You can't label a musician with a ton of personality as just one thing cause sometimes they're bigger than that and I think Slash is just as good as Izzy is in being himself, amazingly gifted but his gift is to sing through his guitar and he has a lot to say. Izzy got the groove, the effortless songwriting ability and his sparse approach to the instrument might speak to you more, but there's a reason why they sounded so good together and it came together so perfectly on Appetite: they both had the right stuff for it. Both understand rock n' roll and the importance of doing it tastefully (or at least had it at one point in time) Oh Slash is pretty fuckin' amazing on all of those albums, don't get me wrong, just cuz a thing ain't one thing and becomes another don't mean to say the other has to be bad. As for the timeless stuff, maybe I'm full of shit, I dunno, it's just an idea I thought maybe has some validity to it. In terms of the lineage stuff, I think all popular music since rock n roll has all been kind of related. There seems to be to be a direct thread from blues all the way down to hip hop, it has something to do with a reductive approach to rhythm, the same reason why the blues was considered back in the day, in my more snobbier circles, as thick black peoples music is much the same criticism levelled at hip hop. People got very stuck on rock n roll because it was kind of the beginning of international youth culture but I think it kinda goes like...blues gave birth to rock n roll...then rock n roll to soul...then soul to funk & disco...then funk and disco to hip hop...and they're all kinda like versions of each other and the newer the permutation the more it kinda contains all the shit from the old ones. Punk, Hard Rock, Metal, these things were almost like red herrings in a way, which is not to say that they were without merit. 1 Quote Link to comment Share on other sites More sharing options...
Towelie Posted May 3, 2020 Share Posted May 3, 2020 (edited) Quick, someone, lock the thread before @Len Cnut starts waxing poetic about Chuck Berry for the gazillionth time. Edited May 3, 2020 by Towelie 1 Quote Link to comment Share on other sites More sharing options...
Rovim Posted May 3, 2020 Share Posted May 3, 2020 3 minutes ago, Len Cnut said: Oh Slash is pretty fuckin' amazing on all of those albums, don't get me wrong, just cuz a thing ain't one thing and becomes another don't mean to say the other has to be bad. As for the timeless stuff, maybe I'm full of shit, I dunno, it's just an idea I thought maybe has some validity to it. In terms of the lineage stuff, I think all popular music since rock n roll has all been kind of related. There seems to be to be a direct thread from blues all the way down to hip hop, it has something to do with a reductive approach to rhythm, the same reason why the blues was considered back in the day, in my more snobbier circles, as thick black peoples music is much the same criticism levelled at hip hop. People got very stuck on rock n roll because it was kind of the beginning of international youth culture but I think it kinda goes like...blues gave birth to rock n roll...then rock n roll to soul...then soul to funk & disco...then funk and disco to hip hop...and they're all kinda like versions of each other and the newer the permutation the more it kinda contains all the shit from the old ones. Punk, Hard Rock, Metal, these things were almost like red herrings in a way, which is not to say that they were without merit. mostly agree. I find myself thinking about it lately starting from the person who is the musician and less about the genre or combination of genres they belong to. If they are talented enough, at least something will resonate with me and I'll be able to connect. If they're brilliant, the genre almost doesn't matter. Not even originality. Just if they can express themselves perfectly and if there is the emotional weight there to say something cool. That makes it original in a way. like The Stones. also, I think pop came from blues. Soul, r & b, etc. Just thought I'd focus on the guitar driven shit for this discussion. Quote Link to comment Share on other sites More sharing options...
rocknroll41 Posted May 3, 2020 Share Posted May 3, 2020 (edited) Axl - Estranged piano Slash - Estranged guitar Izzy - Patience Duff - Sweet Child bass Steven - Paradise City drums Matt - YCBM drums Dizzy - Street of Dreams piano Gilby - Wild Horses live Paul - TWAT piano Finck - Better Freese - Chinese title track riff Stinson - Riad core music Pitman - Madagascar “horns” Bucket - TWAT solo Brain - Best live drummer they had Fortus - Better chorus Bumble - IRS “extra” guitar Ferrer - If the World drums Ashba - Quitting Melissa - Madagascar live backing vocals Edited May 3, 2020 by rocknroll41 3 Quote Link to comment Share on other sites More sharing options...
Lies They Tell Posted May 3, 2020 Share Posted May 3, 2020 22 minutes ago, Len Cnut said: Beethoven and Bach are a completely different conversation though, I was talking about rock music here and my basic point is that the more elaborate stuff kinda falls in and out of favour but when you look at the stuff that is more geared towards what rock n roll was about in the first place i.e. making the joint jump, that stuff seems to endure, not just in the sense of the work itself but future generations. If you look at it the era of elaborate (some might say pompous) rock music was relatively short lived and, some might argue, kinda signalled the end of the beginning of the end of rock as a genre. But when you look at facts, people listen to Queen more than they listen to GNR. Queen is currently the 40. most listened to artist in the world according to Spotify. GNR is the 160. most listened. November Rain is easily the most viewed GNR song on youtube. Nobody can predict the future, but I just don't see any evidence that would support the idea that danceable music would endure better than "deep" music. There's many reason why rock music "died", so I'm not gonna go into all that. When you're trying to write a hit song, there's no doubt that writing something catchy and danceable is the easiest way to be successful at that. But there's so many iconic and timeless songs that are not very danceable that I just don't see anything that would suggest that danceable tracks would endure the test of time better. Quote Link to comment Share on other sites More sharing options...
adamsapple Posted May 3, 2020 Share Posted May 3, 2020 Axl - his songwriting, the codas, the arrangements and the lyrics, I actually like his composing and poetry more than his singing Izzy - his songwriting and guitaring, simple but never stupid and always tasteful Steven - his groove and feel, best drummer GNR ever had Buckethead - I like his tone and choice of notes more than his skilled playing actually Robin - his creativity and the courage to go outside the box, loved his contributions to the band and would have liked more songs (co-) written by him, Better is one hell of a great song Don't care about the rest, don't hate em but their contributions just don't speak to me as much. 2 Quote Link to comment Share on other sites More sharing options...
2020_Intensions Posted May 3, 2020 Share Posted May 3, 2020 4 hours ago, Blackstar said: Axl plays piano on this, not Dizzy. Oh wow I did not know that! The piano during the last verse and chorus is sooooooo good 3 Quote Link to comment Share on other sites More sharing options...
UsedYourIllusion Posted May 3, 2020 Share Posted May 3, 2020 Axl - probably the lyrics to NR Slash - damn this is tough, probably Coma. Really builds the atmosphere that Axl is painting with his lyrics Izzy - Dust N' Bones, hands down my favorite GN'R tune, live, the riffs, solos, lyrics. It's such a great tune that seems like one of the perfect amalgamations of the influences that drive this band Duff - probably his riff on The Garden, soooo good. Steven - Rocket Queen, no question Matt Sorum - Locomotives drumming, probably really similar to the way Steven Gilby - he jams really well with Slash on DTJ, and Wild Horses Dizzy - not fucking up Estranged, decent playing on Move to the city Brain - drumming on Better Robin - TIL solo Bumble - way he plays the ending ITW solo Bucket - either the TWAT or acoustic ITW solos Quote Link to comment Share on other sites More sharing options...
Hank Moody Posted May 3, 2020 Share Posted May 3, 2020 Axl - Coma and Estranged lyrics (I love most of his work, but those two are the ones that I connect more emotionally) / Jungle Slash - His work on Estranged / but also most of the energy of the band live especially these days go through him. Izzy - 14 years (those lyrics are fucking gold) / Pretty Tied Up Duff - It’s so Easy Steven - the groove on Rocket Queen and Mr. Brownstone Matt - Locomotive, but also giving a great energy live, you can see he was really into the shows. Robin - Better / TWAT Tommy - Goin’ Down NuGuns in general - Chinese Democracy (the song) Buckethead/Bumblefoot/Pitman - getting the fuck out, Ashba as stupid as he was, at least he was a fan of the old band. Quote Link to comment Share on other sites More sharing options...
©GnrPersia Posted May 3, 2020 Share Posted May 3, 2020 -- Jokes aside, from the NuGuns, I like Robin's TIL solo & Axl's vocals in TWAT and Blues. Quote Link to comment Share on other sites More sharing options...
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