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zombux

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Posts posted by zombux

  1. just putting some future update notes here, as I edit the sheet in the background, before I eventually update it here too.


    added some Billy Howerdel notes for additional context

    (in January or March 97 Robin Finck was approached, but he only joined in April 97, officially announced May 22nd 1997, brought Billy Howerdel in as engineer soon after)
    (Matt Sorum left for good Mar/April 97, Chris Vrenna auditioned April 97, Dave Abbruzzese auditioning May 1997, Joey Castillo joined for summer 97 to August 97)
    (Duff left in August 97, Billy Howerdel was handling studio bass before Tommy Stinson joined)

    (...)

    (Robin Finck left in August 1999, some of his parts were partly removed, replacements were considered - Dave Navarro, Stevie Salas, Zim Zum, Nick Nolan)
    (Billy Howerdel left in September 1999)

     

     

    • Like 1
  2. 6 minutes ago, StrangerInThisTown said:

    Oh my god you must be right it was only a matter of time until Fake Lists Guy came out of the woodwork after GNR became somewhat active again LMAO. I didn't know they had internet access in mental facilities but here we are back again, after he has been banned..looking at his made up lists

    I also thought we're in a different timeline, but hey, here we are and the pest is still rampaging around.

  3. Just now, Blackstar said:

    It's evident that Axl wants to use Brain's drum tracks on these songs.

    As for Melissa, she seemingly contributed to the other two singles, at least according to her website (I guess she mostly replaced Pitman's parts). Maybe she isn't on Perhaps because it wasn't necessary, as Dizzy did the keyboard work.

    I think the keyboards/piano are the same as on the old mix, just now it's mixed "properly" so they can be actually heard well. piano is fine on this.

  4. 5 minutes ago, GoodOlJohnnyK said:

    The band released this statement?

    How on Earth could they call this a new composition?

    just look at them and then contemplate if your question is even necessary.

     

    anyway. I like drums on this, and I also like rhytm guitars - both drums and rhytm guitars have cool fills which make it enjoyable to listen.

    bass is thick, good.

    vocals are... basically the same as in the old version, they are OK, no Mickey. I do hate the added whining with passion though, especially that shit between 2:18 and 2:28 is utter shit

    "guitar solo" sucks hard. I prefer the original Robin Finck's solo, which is still partly left on this - too bad he's uncredited.

  5. 2 minutes ago, TiedHands said:

    Really? That is insanely clear to me that it's Brian May playing on that original demo. His guitar sound is unmistakable to me. Its sooooo something he would play. I might be imagining it but I was thinking he had confirmed that it was him playing on there. I remember the very first time I listened to it, I was like "that's one of the Brian May songs!!"

    it's most likely really Robin, not Brian.

    and yes, the new Slash "solo" is one of the worst abominations he ever made, it just sucks hard.

    the rest of the song sounds fine - better drums, fatter bass, stronger vox...

    • Like 3
  6. On 7/14/2023 at 2:39 PM, jimisbatman said:

    Thanks for that. And yes it is hard to say for certain and always wonder about the Beaven version of the album. I have listened to the later versions/official release of CD songs over the last few years as they are cleaner and you can hear more specific instruments..... But lately, I have complied the earliest sounding version of CD and have swapped out RM#1 versions for Josh versions and the Beaven TWAT which specifically has his name on, so definitely have 5 out of 10 songs. I kept the play list same as RM1 as it works, and runs better than the released version imo. 

    What's interesting is they sound better imo, dirtier/lowfi (I know it's unmixed) and has that minor industrial feeling. The mid 2000s Better/twat demo's are not supposed to be so clean as the official versions (although still enjoy official twat too) and sound better in demo form. I know this is going off topic, but wished Axl just released rest of CD versions, as is, as originally recorded and toured as solo artist with CD line up:bucket, finch, josh, Tommy. That Axl Rose circus would have definitely been a draw card for sure. 

    Anyway, thanks again for your info, I constantly refer to it. 

    my own personal idea is that the Beavan final mixes and subsequent mastered album would sound very similar to other things Beavan worked at back then - namely Antichrist Superstar and Mechanical Animals by Marilyn Manson - of course I have no proof for that saying, and the truth might have been completely different.

    but it sounds plausible to me.

  7. 13 hours ago, rumandraisin said:

    I can't remember where I read it, most likely the superb a-4-d timeline, Sean stayed on longer than we thought until about March 2000 for a period where RTB and Sean were working together. 

    well, my sheet says so too. there was some short period when those two worked together.

    but that doesn't really mean that the leaks we got have been worked at by him.

    it's somewhat likely, but no guarrantee.

  8. On 7/5/2023 at 2:06 PM, jimisbatman said:

    @zombux this resource is invaluable, truly a work of art.

    Quick question regarding Village Leaks and Beavan mixes. APART from Josh versions (I assume they are Beaven mixes), and the songs marked as Beaven mix, are there anymore untitled Beaven mixed songs either in the Village Leaks or otherwise early leaks? 

    good question but hard to answer.

    I guess that the 4 Village Rough Mixes discs are mostly re-mixed Beavan tracks, basically Disc 1 is unmixed Beavan album and other discs are remaining tracks, but of course nobody knows the intended final tracklist back then.
    but because these tracks have already been co-worked at by Beavan and RTB, it might be some kind of transition phase or whatever else combination.

    the newer tracks are less likely to be Beavan.

    on the other hand, the 3 tracks that leaked as "1999 demos" are almost certainly just another alternations of the Rough Mixes versions, just with slight differences or identical ones, so that maybe has Beavan touches on that too.

    • Thanks 1
  9. 1 minute ago, Blackstar said:

    According to Adler, DJ was the HR bass player when he and Slash went to see HR for the first time at the Gazzarri's, which most likely was in February 1984. So DJ was probably somewhere between Rick Marrs and Andre Toxx.

    yup that matches my findings too.

    now - which of those two was there first? 

    and... was it even like that? wasn't there like a pool of a few bass players who were all considered live players and just attended rehearsals and gigs as they could (because, maybe, they had other commitments too)? I mean, it's possible...

    Rick Mars was playing with Pyrrhus, also for New Years Eve 83

    Image

    so Andre Toxx might have been the first one, especially considering he was a friend of Johnny - see this: https://web.archive.org/web/20090510082630/http://www.laserfire.com:80/hollywoodrose/threeroses.htm

    also some more info here https://web.archive.org/web/20090110163855/http://www.myspace.com/johnnykreisrocks (MUD did a good job sniffing around Wayback Machine! :D )

    • Like 2
  10. 1 minute ago, Blackstar said:

    They could have played the shows as AXL with a random drummer and bass player, and then brought in Johnny Kreis (who ended up become the regular drummer) for the demo.

    yep, very well possible. also the general info for decades is that the order of bass players for the early/original lineup (until spring 84) was Rick Mars (or Marrs), Andre Toxx and later (when HR reformed) Steve Darrow, while DJ (Daniel Nicolson) was also playing at some point

    but I'm not so convinced about the beginnings, either the bassist was there only as a live member, or he joined later, and I even couldn't verify if Rick was the first and Andre the second or the other way around and when DJ was in the band (if a live member can even be considered a band member) etc.

    we know that Rick had the tape, on which he didn't play, so probably he got it to learn the tracks - again I just guess lol

    • Like 1
  11. 3 minutes ago, Blackstar said:

    Regarding the first AXL/Rose/Hollywood Rose show:

    According to Chris Weber, their first ever show as a band was at the Orphanage under the "AXL" moniker. Gnrontour lists a January 3, 1984 show at the Orphanage as the first "Rose" show.

    I had a further look in the newspaper listings, and I found out that the Orphanage, which was previously called "HJ's", closed in late October 1983 due to constant harassment from the LAPD (it hosted mostly punk gigs) and reopened as HJ's again in Dec. 1983 but seemingly without hosting live gigs at least for the entirety of 1984. So it doesn't seem that there could have been a show there after November 1983.

     

    nice find. I'm very confused about this whole thing.

    in the Roots booklet, Vicky says that the newformed 3-piece band (Axl, Izzy, Chris) went to record the demo together with Johnny Kreis. they had no bass guitarist, as Izzy and Chris split the bass duties on that demo. until then, it's nice and understandable.

    but then she says "with that demo completed, they went on to play under AXL name", their first gig was at The Orphanage, played "a few gigs", and then, "sometime after 1983 Christmas holiday", reconvened as Rose "with a new bass player" (and also a drummer, but that makes even less sense as Johnny was there probably from start until HR folded in spring).

    BUT the booklet also says "recorded in January 84".

    so either the booklet is wrong and the demo was recorded sometime in (say) December 83 before xmas, OR Vicky is wrong and the demo indeed comes from very early January 84 and that Jan 84 Orphanage show was still played under AXL name and they only renamed a bit later after that.

    Secondary, 9 of 11

    Secondary, 10 of 11

    • Wow 1
  12. today's update: some more info added regarding Rapidfire and especially Hollywood Rose timeline.

    sadly, even despite huge efforts by @Shackler's and @Blackstar and using as many sources as we could, it wasn't really possible to determine all the details regarding HR history and lineups, as existing information is often contradictory and confusing - so take it as it is.

    at least it doesn't mean anything changing to the actual studio recordings timeline.

    • Like 4
  13. 17 hours ago, h2sublime said:

    So what is the difference in the ‘98 version of KOHD? 

    the DoT version of KOHD is the original release (length 5:36)

    the UYI2 version has been slightly modified - "responses" have been removed (length 5:36)

    the UYI98 version is shortened by removing Josh Richman's speech (length 5:20)

    for a completenesss sake, there also exists a remix of the DoT version (by Steve Thompson & Michael Barbiero), length 5:30

    • Like 2
  14. 1 hour ago, DTJ80 said:

    Cheers Zombux. That unreleased Atmos mix is a painful thing to see. 😭

    it is, especially considering Steven Wilson is one of my most favourite artists of all time, if not THE most favourite. oh well. at least his work at November Rain 2022 somehow squeezed into the final boxset.

    also, one more update for today. I have extensively updated the early years and added lineups and changes for Lafayette years, Rapidfire and AXL-Rose-Hollywood Rose.

    • Like 1
  15. alright, I ended up editing the thing even more.

     

    the blurry area regarding TSI tracks recorded (but unreleased) with UYI has been sorted out a bit and added Gilby overdubs.

    removed duplicates from Rough Mixes 1-4; Razz/darknemus "1999 demos" have been merged into these (at least Razz IRS is identical with RM3, while CITR and TWAT are different but sound very similar or same)

    and last but not least, November Rain 2022 also added to the very end of the list, albeit it's already very very far from "GNR studio session".

     

    edit: also re-done the color coding of rows to make it more understandable and coherent

    • GNFNR 1
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