Jump to content

gabfm

Members
  • Posts

    76
  • Joined

  • Last visited

Posts posted by gabfm

  1. 15 minutes ago, WhazUp said:

    Regarding the Nightrain solo, on Live Era the tone is very similar to what was his overall UYI tour tone, so if I had to guess (I could be wrong of course), I would bet on Slash's solo being flown in from another show, be it segments or the whole general solo, for tone continuity (it sounds the same to me as his first solo during the solo trade-off section)

    Mmmmm, it's really hard to put a solo from another show in because they didn't play with a tick (metronome if you wish). I don't want to believe Slash re-recorded parts for Live era, but either this solo was rerecorded (or the whole track). Or was just like some mentioned of putting a different performance at the start of his solo. Should I do a track to track comparison ? Is it worth the time ? :lol:

    I mean, we know AXL rerecorded vocals for sake of consistency. If know we would have had a different voice in every track. Maybe slash did the same, should we bother ?

    Now, why did they kill Gilby on some tracks ? Couldn't get him to re record too ?

  2. On 11/11/2022 at 12:54 PM, James Bond said:

    I thought it might be worthwhile to start a thread for this to not cloud the main UYI box set thread.

    Now that we've got the unedited versions of Las Vegas and New York in particular to listen to, it might be worth listing the differences between these recordings and their Live Era counterparts.

    A few I've noticed so far:

    - Nightrain on Live Era is sourced from the Vegas show. We've long known that Axl re-recorded the vocals, but we can hear Slash's guitar go out of tune at the end of his main solo which lasts through the remainder of the song and his phrasing is different than what is on Live Era. I think we could probably conclude that everything musically up to and including Gilby's solo was left alone on Live Era, but Slash's solo onwards must have been lifted from a different performance.

    - The source of Welcome to the Jungle on Live Era has long been debated among the fandom but now we can conclude it's the Vegas performance. Of course, this is another track that features mostly re-recorded vocals on Live Era so it's great to hear it unaltered here.

    Any other differences of note? It's cool to be able to compare and contrast. The Vegas recording sounds excellent. Way better than Live Era in my humble opinion.

    I got to agree with that, I'm a musician, and yeah, slash nightrain's solo from Live Era is different, is played better. I have been listening to live era since '99, so I got quite a surprise when the solos were different.

  3. I like Salvation, I prefer it to T3 and T5. The others felt like a joke, this one as a serious movie.

    The only problem is that it is a Terminator movie, and that raises the bar. If it was called "John's adventures in 2040" , you would hate it so much.

    I hated both John Connors from T3 and T5. And Kyle Reese from T5... I didn't know they took steroids in this apocalyptic future.

  4. 3 minutes ago, rocknroll41 said:

    Oh no! :lol:

    I think it’s getting to a point where I can’t group these tracks into separate “albums” anymore. Too many versions of each song are leaking now and it’s hard to pick and choose between them all, so I’m thinking of listing everything now as one big fictional “box set,” so to speak.

    Question is, should I also throw the remixes on there? Or keep those listed separately?

    Unless you want a version with drums ambience on, and with mono room off :P

  5. 16 minutes ago, Gunnerfan_rus said:

     Actually the files are 320kbps but it's content is not - it's only 128~160 as you can see per frequency spectrum (the peak is around 16kHz). Seems like leaker made this type of rip. Imagine these songs in full quality! =0

    Also, these files are sadly in joint stereo (not true stereo). Which reduces the stereo field a bit.

    • Like 1
  6. 12 minutes ago, life_247 said:

    You probably need something a bit more powerful than Audacity.

    I assume Imsorry has done some form of mastering on the track (I don't think I've heard it but there is a slightly alterted version i've heard) - its probably a combination of EQ, and multi-band compressors etc. to give it a more polished sound and stop the drums cutting through. Its not as simple as just going "less drums please Mr Computer"

    Plus, the guitars are on the entire stereo field. So, you can't even isolate the center channel to raise or lower the drums.

×
×
  • Create New...