supercool

Yeah Slash also done an interview with a British paper and was saying he thought CD was awesome and he thinks Axl did a great job making the album regardless of the length of time it took to be released

He thinks the album sums Axl up and it was perfect for him.

Slash also implied that he would like to clear things up with Axl and chat, he says he has no annomisty against him, and would like to patch things up.

Drifter.

..and until then, he's a Former Gunner.

pretty much like axl

rip gnr

end of the fakegnr bullshit and reunion in 2012

haters, mark my words

more evidence that south american are naive and gullible

more evidence that south american fans are naive and gullible

You're all fucking stupid.

no

slash and axl are the two most important persons in gnr's history

only those who forget it are stupid

Point out to me where I implied otherwise?

The people I was refering to were those having the same argument again and again and again.

you implied that everybody in this thread is stupid and i'm telling you that only those who are trying to manipulate gnr's history by spreading hate against slash are stupid

and now i add that they are also despicable

if you find this topic boring, go watch your trailer park boys videos, they are so gnrish

You're all fucking stupid.

no

slash and axl are the two most important persons in gnr's history

only those who forget it are stupid

http://www.nypost.com/p/entertainment/music/with_slash_lDtKV134RfV1vU908WBSlI

Considering the train wreck Axl Rose has become, it’s hard to believe that Slash was in a band with him for even a minute. Slash’s mellow demeanor is nearly equal in degree to Axl’s level of personal turbulence. And yet Slash, who created some of the greatest guitar riffs and solos of the rock era (“November Rain,” “Sweet Child o’ Mine,” “Welcome to the Jungle,” etc.), struck lightning not once, but twice, in the wacked-out vocalist department by creating Velvet Revolver with singer Scott Weiland.

The poster child for Ray Bans and top hats spoke to The Post.

NY Post: Since your mother [OLA HUDSON] was a costume designer for musicians and your father [Anthony Hudson] created album art, Were you exposed to rock stars growing up?

Slash: Yeah. A lot of pop-star eccentricity — a lot of wants and needs and delusions of grandeur. Joni Mitchell was probably my favorite. She was just a very deep, soulful individual. Then, on the flip side, there was Cher, who was obnoxious. She had a lot of attitude. My mom had a store, and she would come into the shop and be demanding and rude.

NYP: When Axl finally released “Chinese Democracy” in 2008, What did you think?

Slash: It was the perfect Axl record — exactly what I would have expected from the final years of us working together, and seeing where he was headed musically. It’s very heavy; sort of a dark, depressing record. He’s f- - - ing phenomenal.

NYP: But the two of you haven’t spoken in years. would you be open to speaking again?

Slash: I’m more standoffish because I know how vehemently he hates me. So that sort of makes me doubt it. But if we ran into each other and all that animosity were to pass for a second, then I’m sure we could have an interesting conversation.

NYP: Axl Rose and Scott Weiland are great vocalists, but not so stable. Is that why you worked with so many guests on your new record?

Slash: Now you’re getting into the deeper psychological aspect of it, which I hadn’t really taken into consideration. Maybe a couple of hours on the couch might pull that one out! I think the whole thing was just inspired by great singers that I wanted to work with. I didn’t think about other aspects of it. But the one cool thing that did come out of this was that it gave me a whole new respect for singers, and changed my attitude toward them given the last couple of guys that I’ve worked with. These people were all amazingly gracious and professional. I’ve done so much session work where I write or play with somebody, and it’s an empty feeling when you’re done because they take off with the material — it’s like being a surrogate. So this time, I had all these people play on my record.

NYP: That song “Beautiful Dangerous” is pretty hard-rocking for Fergie!

Slash: It is. But here’s the thing about Fergie: I met her at club Avalon in LA four years ago. We did a little rock medley, and she sang “Black Dog,” “Live and Let Die” and “Barracuda” like nobody’s business. I just don’t hear great female rock singers like that anymore. It was f- - - in’ amazing. She’s actually more of a rock ’n’ roll singer than a pop singer; I think even Will [will.i.am of the Black Eyed Peas] knows that.

NYP: On Tuesday, Slash releases his first-ever solo album — simply titled “Slash” — featuring a range of guest vocalists that includes Ozzy Osbourne, Fergie, Adam Levine, Chris Cornell, Iggy Pop and more.

Read more: http://www.nypost.com/p/entertainment/music/with_slash_lDtKV134RfV1vU908WBSlI#ixzz0kDQ0KyOF

poor little axl

lol @ verbal contract

axl is old

i can't blame him for that

i can only blame him for being a dick and destroying gnr

that was strange

nah that was stupid

more meditational than sad, the end is beautiful

moby 'god moving over the face of the waters'

moby playing a joy division song

gimme back the two minutes of my life that was wasted watching this

i know that book, it's a masterpiece

here is another masterpiece:

'call it sleep' by henry roth, the most profound novel of jewish life ever written by an american, the best work of fiction about immigrant life

http://en.wikipedia.org/wiki/Call_It_Sleep

The irony is that all you people who are getting so emotional and worked up about every little thing that Mick Wall says about Axl are exactly the reason why publishers want him to keep writing.

Exactly.

not really

mick wall wrote books about plenty of bands and artists, his work doesn't revolve around axl's little persona

Mick Wall's Bibliography:

Diary Of A Madman - The Official Biography of Ozzy Osbourne, Zomba Books, 1986

Market Square Heroes - The Authorized Biography of Marillion, Sidgwick & Jackson, 1987

Guns N’ Roses: The Most Dangerous Band In The World, Sidgwick & Jackson, 1991

Pearl Jam, Sidgwick & Jackson, 1994

All Night Long: The True Story of Jon Bon Jovi, Omnibus Press, 1995

Run To The Hills: The Authorized Biography of Iron Maiden, Sanctuary Books, 1998

Paranoid: Black Days With Sabbath & Other Horror Stories. Mainstream, 1999

Mr Big: Ozzy, Sharon and My Life as the Godfather of Rock, Robson Books, 2004 (written with Don Arden)

XS All Areas: the Autobiography of Status Quo, Sidgwick & Jackson, 2004 (written with Francis Rossi and Rick Parfitt)

John Peel – A Tribute To The Legendary DJ and Broadcaster, Orion, 2004

Bono: In The Name Of Love, Andre Deutsch, 2005

Star Trippin’: The Best Of Mick Wall 1985-91, M&G, 2006

W. Axl Rose: The Unauthorised Biography, Sidgwick & Jackson, 2007

When Giants Walked the Earth: A Biography of Led Zeppelin, Orion, 2008

Osbournes Confidential: An Insider's Chronicle, JR Books, 2008

nah, axl is only axl's fakepit

hey warchild, axl is the biggest sellout

slash left a successful band like gnr whereas axl stole the name for the money

so true!