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Underhardy

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Posts posted by Underhardy

  1. 8 hours ago, ZoSoRose said:

    What’s the next big unheard song everyone wants now, anyways? Seven?

    Man, I think we’re all way too fatigued and let down by what The General turned out to be. That was supposed to be the true big gun we’ve fantasized about for 2 decades. Hard to really get hyped for anything CD era at this point. We’ll take whatever we can get, of course.

    • Like 1
  2. 17 minutes ago, Scream of the Butterfly said:

    Probably a coincidence but I wonder if Sheila is aware of Monsters (the song) and chose her words intentionally:

    "Kennedy, who was a former Penthouse model, has not backed down from her claims and has continued to allege that the assault has left her traumatized. “I have a voice and I don’t want to be called a victim. I want other women to hear this about Axl Rose, he’s a monster and he needs to be held accountable,” she said on Thursday. “And I’m here today to make sure that happens.”

    Kennedy noted that it was “difficult” to talk about the assault but she wanted to get her story out there. “I think it’s really important that we need to make this industry safe for women,” she explained. “There are so many victims that feel shame, that feel guilty. Feel like they when they go to sleep at night, they have nightmares and it needs to stop this monster needs to be stopped: Axl Rose.”"

    Obviously she has no clue about the song ‘Monsters.’ What an asinine thing to ponder.

  3. 1 hour ago, Slugworth said:

    My favorite Superbowl fantasy is the one when McCartney was doing the Superbowl and fans speculated that during Live and Let Die, Axl would burst out from under the stage, do the screams, and the crowd would go ape shit.

    Omg imagine.. Axl fucking ripped those screams in prime form in 2016 every damn time. Haven’t heard the screams in 2023, but it’s always been a shining moment for him even into his later years.

  4. 2 minutes ago, Powerage5 said:

    So I guess this settles the debate over whether The General/Monsters is one song or two huh? :book: 

    It’s dumbfounding that anyone would ever think that… one song is clearly about child abuse and the other clearly about a romantic relationship gone bad (Seymour). 
     

    Pleasantly surprised that the performance of The General wasn’t a train wreck, from Axl specifically. The chorus is all Mickey so it’s not the biggest challenge in the world for Axl, he even forced out more rasp on it live compared to the studio. Pretty much nailed the outro wails as well. Good shit, Guns. Fingers crossed for Monsters at some point 

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  5. 34 minutes ago, Uncle Bob said:

    Lyrics from the general seem to be an "evolution" of these lyrics Axl wrote when he was younger

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    Haven’t read those in a minute. Damn. I definitely see a correlation in some of those lines to The General. The use of Daddy, the references to his family hiding the truth from him. When you frame Axls life in the 80s and 90s through this lens, it really tells you why he was so problematic and manic.. it gives ‘Appetite For Destruction’ a much darker meaning to him. 

  6. You know, Taylor swift gets a lack of flack for her amount of breakup songs. Axl gives her a run for her money with the Seymour songs haha. Not hating, I love how he writes his deepest emotions into songs. Monsters lyrics are basically an extension of There Was A Time, same vibe, about a crazy narcissistic woman who is emotionally and mentally tormenting Axl. ‘I would do anything for you, there was a time.’ And ‘I was there for you, it’s all that I could do.’ And of course a couple lines about the promiscuous sexual nature of the lady. I wish I could make out what Axls deep vocals are on the song. ‘The Monsters have _____ me,’ is what I hear, there’s a super heavy robotic effect on those deep vocals, unlike the more raw deep vocals on TWAT and Shacklers. 
     

    Really hope we get State of Grace soon… it’s interesting that The General at the end has the same vocal scatting melodys as State of Grace in the climax of that song. Half of the parts, Axl seemed to not have the lyrics for yet. He’s 100% switching between singing words and just the Melodies at the end of The General and I can’t imagine that’s what Axl wanted the final outcome to be. Just like how he eventually found the right words to end Street of Dreams.

    • Like 3
  7. 12 minutes ago, Unagi said:

     

     

    Yes because that's what the world needs right now, a song about child abuse from an 80s rock band, sung by a 60 year old posing as the victim. 

    Jesus, do you people even live in the real world. 

    I can't wait to see the general public's reaction to this stinker of a song. 

    It'll be as popular as Jimmy Saville at a kid's birthday party. 

     

    No one outside of these forums will ever even hear these songs.. the circle jerk in these threads is wild

    • Like 1
  8. 36 minutes ago, TheDemocracyRose said:

    Not the Guns N' Roses I like. Sounds like a mess and fits with a b-side...

    The vocal minority saying this is better than ‘blues based cock rock,” is.. absurd.. a song about daddy and another Seymour song presumably about how she hurt and abused him emotionally… the lyrics to monster are fucking cringe. The rasp part lyrics are cringe. It’s clear why these stayed on the shelf for so long.. instrumentals are epic… Axl not so much.

  9. Does it not bother anybody else how fucked these vocals are, for Axls standards.. the effects that he hides his voice behind.. the bizarre layering.. he has one of the best voices in music history, showcased on many CD songs… The instrumentals are absolutely amazing.. it’s the vocals that just kill it for me.. even the rasp used in the bridge of Monsters just doesn’t sound right at points.. sounds like an Axl cover singer.. just shocked 

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