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Motown


Guest Ohdistortedsmile1789

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Guest Ohdistortedsmile1789

There are, of course, "too many to mention". But...

Diana Ross & the Supremes-Stop! In the Name of Love

The Isley Brothers-This Old Heart of Mine (Is Weak For You)

Rita Wright-I Can't Give Back the Love I Feel For You

Brenda Holloway-Every Little Bit Hurts

Martha Reeves & the Vandellas-Nowhere to Run

Jimmy Ruffin-What Becomes of the Brokenhearted

Junior Walker & the All-Stars-How Sweet It Is (To Be Loved By You)

The Four Tops-Still Water (Love)

The Jackson 5-Never Can Say Goodbye

David Ruffin-My Whole World Ended (the Moment You Left Me)

Marvin Gaye & Tammi Terrell-Ain't Nothing Like the Real Thing

Gladys Knight & the Pips-I Don't Want to Do Wrong

ENOUGH

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Marvin Gaye for destorying the social status of Motown and showing the way to artists like Stevie Wonder. Plus the fact he made some awesome music. What's Going On is one of the best records of all time.

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The Four Tops

The Temptations

Diana Ross

Marvin Gaye

Pointer Sisters

The Commodores

The Supremes

The Jackson Five

Michael Jackson

Rick James

The Isley Brothers

Stevie Wonder

and if I'm not mistaken, Frankie Valli and the Four Seasons were on Motown for a while as well.

Edited by santana
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Guest Ohdistortedsmile1789

Chuck Berry was on Chess, Otis Redding was on Stax, Wilson Pickett was on Atlantic, James Brown was not on Motown.

It's a label, not a genre.

Edited by Ohdistortedsmile1789
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Guest Ohdistortedsmile1789
Rockwell Although, it probably helped him that his daddy was berry gordy.

Marvin Gaye was amazing. It's just a pity that so many great artists at motown got screwed out of a lot of money.

Same thing at Chess, or any great label in those days. The music biz has always been so shady.

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Rockwell Although, it probably helped him that his daddy was berry gordy.

Marvin Gaye was amazing. It's just a pity that so many great artists at motown got screwed out of a lot of money.

Same thing at Chess, or any great label in those days. The music biz has always been so shady.

It's depressing when an artist who can create works of such beauty ends up broke, while other people make millions from him.

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Guest Ohdistortedsmile1789
Rockwell Although, it probably helped him that his daddy was berry gordy.

Marvin Gaye was amazing. It's just a pity that so many great artists at motown got screwed out of a lot of money.

Same thing at Chess, or any great label in those days. The music biz has always been so shady.

It's depressing when an artist who can create works of such beauty ends up broke, while other people make millions from him.

The record industry has never been inclined towards the artist, it just doesn't need to be. Everyone wants to make records, there will always be someone else. It's really bad in America, which is one reason why so many Blues and Jazz artists end up staying in Europe. We are really robbing ourselves of our own culture in this way.

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The record industry is just that: an industry. Industry was founded by suits for suits. If others can benefit, great, but as in most industries, those at the top benefit greatly at the expense of their workers (the performers in this case). Clearly many artists do make millions, but so many of the best end up with little more than the average person.

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Chuck Berry was on Chess, Otis Redding was on Stax, Wilson Pickett was on Atlantic, James Brown was not on Motown.

It's a label, not a genre.

Ya. Because the label has been so closely associated with the kind of soul/R&B music it produced that it became a definition.

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Chuck Berry was on Chess, Otis Redding was on Stax, Wilson Pickett was on Atlantic, James Brown was not on Motown.

It's a label, not a genre.

Not necessarily.Technically it's a label,but the music transcended that.

The "Motown sound" became a genre within r+b and soul...and rock and roll for that matter.Artists who may have not recorded on Motown were hailed as being "Motown",based on the music.

The Motown Sound reached far outside the label.

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Guest Ohdistortedsmile1789
Chuck Berry was on Chess, Otis Redding was on Stax, Wilson Pickett was on Atlantic, James Brown was not on Motown.

It's a label, not a genre.

Not necessarily.Technically it's a label,but the music transcended that.

The "Motown sound" became a genre within r+b and soul...and rock and roll for that matter.Artists who may have not recorded on Motown were hailed as being "Motown",based on the music.

The Motown Sound reached far outside the label.

None of those artists sounded like anything on Motown records.

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