Jabberwocky

Snakedance scene with Salma Hayek in From Dusk Till Dawn

Nails (2003)

Splatter/Gore genre

Russia

This movie is pretty messed up. Its about this government contract killer who gets a bit sick of being an assassin and decides to have a breakdown instead. Getting sick of hearing incessant voices he reckons its about time for some home surgery, opting for some trepanation.
What happens next is all pretty crazy, in a low budget kinda way.
Imagine watching a film made by the bastard child of Lynch and Cronenberg while he was studying contemporary art at some overpriced film school.

The after life band gains another legend.

Barkmarket - Vegas Throat

very influential album of mine and the fucker still holds up 25+ years later

Barkmarket - Live At The Underground Festival 1997

best noise rock band ever

A very good article that my friend Eric wrote about the new season. He lays out exactly what went wrong with it, as far as the narrative goes. Worth a read.

The End of Twin Peaks Feels Like a Bitter Breakup

https://ericabruce.wordpress.com/2017/09/19/the-end-of-twin-peaks-feels-like-a-bitter-breakup/

On 9/18/2017 at 6:43 PM, dontdamnmeuyi2015 said:

Was the white lodge the place where he went into the wall socked and got out?

I never knew we even saw the white lodge. So many open questions and no answers. Lynch is right about making up your own mind, but I'm the kind of person who wants answers all the time. I don't like things left undone.

I think Audrey was in a mental hospital. It looked like she was in a straight jacked.

I'm not going to dwell on another season. I just wish Cooper had more time with the sheriff's office of Twin Peaks. I loved them together.

1. That was a part of The Black Lodge. MIKE tells Cooper that he was tricked by Laura's doppelganger. Cooper wasn't supposed to leave until Evil Cooper was brought back first. I think that explains why things got screwy in the timeline.

2. Nope. From my own personal experience Audrey wasn't in a mental hospital. They don't have swivel mirrors in nut houses because you can break them and hurt yourself and/or others. All of the mirrors are like paper thin and mounted to walls. There was never indication given she was in one but got confirmation she was in a coma after the bank explosion in the season 2 finale but we don't know for how long.

3. If you need everything wrapped up in a bow then I suggest you stay away from his first film Eraserhead LOL. There are ways to have something open ended that can be satisfactory but it has to be executed so that it makes sense in the film's internal logic. I don't need everything explained or have all of the answers but give me enough to where I can fill in the blanks. I like to be able to sit and meditate, dream, theorize, and basically draw my own conclusions. You can use surrealism as a device, like the old show did, but not have it be the entire focus.

On 9/18/2017 at 7:07 PM, ChineseDemocracy2004 said:

Retcon, plot holes?

Wasn't that space or the mauve zone where we meet Naido and "Ronette?"

Where did "The Fireman" come from?

Me too it seemed far too brief. Do you think that was intentional?

1. Retcon is to take something old and rewriting it. In Fire Walk With Me, Judy was originally supposed to have been a physical human being (Josie's sister) but that got retconned into Judy being a dark negative force. They retconned Diane as being Cooper's love interest when it was originally Annie. That part still pisses me off as that was nothing but fan fiction as far as I'm concerned.

2. I think that is a part of The Black Lodge. It's not explained but there are enough indications that it is.

3. Who knows. That's another thing they retconned. I'll always call him The Giant not The Fireman because the latter just sounds stupid rolling off the tongue LOL

4. Completely intentional.

On 9/17/2017 at 4:23 PM, ChineseDemocracy2004 said:

Last question now for a while.

How did Cooper end up in the "White Lodge" during part 1?

Who knows. If I had to take a guess it would be after Laura Palmer went into it after Fire Walk With Me. There's been too much retcon to give an accurate answer

David Lynch addresses a potential fourth season of Twin Peaks

https://consequenceofsound.net/2017/09/david-lynch-addresses-a-potential-fourth-season-of-twin-peaks/

"It took me four and a half years to write and film this season," the auteur filmmaker told fans

That divisive ending to Showtime’s Twin Peaks: The Return was, depending on your interpretation, either absolutely definitive or completely open-ended. As such, some viewers are adamant that the series is finished, while others would love to see where David Lynch would take the next chapter of his magnum opus.

So what does Lynch think? Well, he seems pretty casual about it all. He gave his first interview since the finale during a Skype talkback at Serbia’s Belgrade Culture Centre, who is currently hosting his “Small Stories” photo exhibition, and during it responded to fan question regarding a potential fourth season by saying it’s too early to say whether it would be a possibility. “It took me four and a half years to write and film this season,” he said, so fans would have to be patient.

Lynch also addressed a question regarding the fate of Audrey Horne, but was characteristically cagey. “What matters is what you believe happened,” he said. “Many things in life just happen and we have to come to our own conclusions. You can, for example, read a book that raises a series of questions, and you want to talk to the author, but he died a hundred years ago. That’s why everything is up to you.”

A new season, on the other hand, is up to him. And, for its part, Showtime has already made clear that their red door is always open.

5 hours ago, ChineseDemocracy2004 said:

I saw somewhere that series three comes out on DVD in December.

Hopefully they will address the sub plots there.

If they address those I will be surprised but yeah.....

Twin Peaks: The Third Season DVD And Blu-Ray Officially Announced

http://welcometotwinpeaks.com/news/twin-peaks-season-3-dvd-bluray/

Twin Peaks: The Return The Third Season will be out on DVD and Blu-ray on December 5, 2017. In a tweet quoting the Log Lady, David Lynch revealed the release’s cover art “starring Kyle MacLachlan!”

Keep an eye on Welcome to Twin Peaks for the full details and pre-order links. Meanwhile, what would you like to see included in the extras?

Ahead of this physical release of Season 3, Criterion is releasing Twin Peaks: Fire Walk with Me along with The Missing Pieces on Blu-ray and DVD. And now that we’re talking seasons, David Lynch recently stated he’s not ruling out a 4th season of Twin Peaks.

Twin Peaks: The Third Season cover art

5 hours ago, ChineseDemocracy2004 said:

Apologies for the double post.

I watched the finale again and I have some thoughts.

Who do we think that man was in Carrie's house? Was he that realities version of Bob or evil Cooper? He had a gunshot wound to the head and a puncture wound in his stomach.

Does anybody else think Carrie not turning up for work at Judy's diner was a nod to Teresa Banks not turning up for work at the diner in Fire Walk With Me?

Ah, does anybody think that the man in the kitchen at Judy's diner looked like one of evil Cooper's gang from early on in the series?

1. He's either a man who killed himself or Carrie killed him. Just for the fact she really wanted to get out of that house and out of Odessa leans towards the latter.

2. I highly doubt it. There were no nods to Theresa at all. Hell they didn't even mention Annie except for a throw away piece of dialog.

3. Nah, that's what all of those greasy spoon truck-driver joints look like.

I would also like to raise a question about something that was soooo unresolved. Diane said that her half-sister was named Janey-E. They didn't even explore that. The FBI and the Twin Peaks police were sloppy investigators LOL

I've really tried to find something redeemable about this show and I'm just drawing a blank. I know that this new season exists but I feel like disregarding it. Every fan theory I've read only talks about the finale and not the subplots. Maybe the intentions were for us, as the viewers, to only give a shit about the main plot of Cooper but then why even bother making subplots in the first place? The more I think about it the more angrier I get.

All it would have taken was a single episode to tie up those loose ends and I'd be fine. All it would have taken was a ending that wasn't so indecipherable and incoherent and I would have had a better reaction. Lynch was one of the editors in this 18 hour pile of dog shit. I think he just decided to put these scenes in random order just like he did with an equally big pile of shit he made called Inland Empire.

Right now I'm just done and with this show proved to me he was as equally done with us.

I NEED to see this. I love The Room on it's own but I want to see what happened behind the scenes. Just hoping my lame ass movie theater will screen it.

This is more rockabilly than traditional country. It's from 1982 (I think)

Orion - Look Me Up And Lay It On Me

1 hour ago, ChineseDemocracy2004 said:

I've read a few articles since the finale that seem to think that Cooper is in the real  world.
 

Yeah that is called "meta" and is one of the lamest tropes ever used. To tell me that the show was self-aware is ludicrous but if that is what Lynch/Frost were going for then that shows how hack they have become. These guys were innovators and to sink the show down to that level proves they are out of steam and maybe should have not come back. There's no challenge in pissing people off.

This is for all of you Pink Floyd/Wizard Of Oz freaks. I have read the article and watched the video. There have been similar incidents where there has been synchronization but not for an entire episode.

Episodes 17 & 18 of ‘Twin Peaks: the Return’ are meant to be watched in sync

https://medium.com/@onantiad/episodes-17-18-of-twin-peaks-the-return-are-meant-to-be-watched-in-sync-81352ce38e8?fref=gc&dti=1241904005861629

and here is the video (watch it before it inevitably gets taken down)

1 hour ago, Axl owns dexter said:

The ending is actually growing on me. Cooper is stuck in an endless loop of trying to make things right with the world while neglecting his own life. That's who he is. And not every character deserves a happy ending. It would go against what the show was all about for things to be wrapped up in a tidy little box.

 

I watched that video not more than 3 hours ago LOL. Sorry but I'm not going to buy this "it was supposed to be meta" excuse for this show. That is one of the most lamest excuse and theory I've ever heard. It's basically saying that this whole show was meaningless.

I got that the ending was going to be dark but not to that degree that it can be implied that it was all just a dream. If it was shot with the same kind of progression but without the Diane/Linda and Cooper/Richard character switch I would have been more on board with the ending. There was nothing during the show that had any indication that was where they were going. To me it feels like a cop out. That ending was a combination of Lost Highway and Inland Empire. Lynch went back and rehashed his old tropes from 1997 to 2005. That is not progressing as an artist. It is "oh shit I'm out of ideas"

I understand that not all of the characters deserve a happy ending it's just they didn't get an ending at all because all of the subplots were just completely dropped as the story progressed and with no explanation. Why make characters in the first place if they are not going to be utilized? There were random characters who popped up in The Roadhouse scenes that added absolutely nothing. Completely pointless. Another thing that pisses me off is Mark Frost saying that the new season would tie up all of the loose ends from seasons 1 & 2 and Fire Walk With Me. That came straight from the horses mouth. That did not happen in the least.

I hope that if we get a season 4, or stand alone movie or two, that Part 18 was a backdoor pilot. As it stands the streaming numbers were HUGE. Nielson ratings not so much. Showtime owns Twin Peaks lock, stock, and barrel. Remember when Lynch originally walked away? They don't need Lynch to make more episodes. I'd say if him and Frost want to not fully be involved then I would suggest they get in some of the other directors and writers from the original seasons and have them do it so that Lynch and Frost can be the showrunners. As much as other people want to believe that Lynch had full involvement in the original seasons just remember he only directed 6 of the total 29 episodes. There were other episodes that were brilliant that he had zero involvement with.

20 minutes ago, ChineseDemocracy2004 said:

Guys, what was your favourite song from the performances at The Roadhouse?

it's s tie between....

Nine Inch Nails - She's Gone

and

The Veils - Axolotl

32 minutes ago, ChineseDemocracy2004 said:

My head still aches from the finale.

Wait, when MIKE gave Cooper the ring was that the same ring that Ray forgot to put on evil Cooper?

Yep. The Owl Cave Ring. Ray got it from, as he says, a prison guard when they were let out. MIKE gave the ring to Ray, Evil Coop kills Ray and puts it on his fingers and then it ends up back in The Black Lodge where he gives it to Cooper after he awakens from his Dougie persona

12 minutes ago, Black Sabbath said:

The Leftovers ending; LOST ending > Twin Peaks ending

I've never seen Lost but I'll take your word for it LOL.

Lemme just add some of my final thoughts on this. I know it might sound repetative but here goes...

Right now I think Part 18 is a gimmick ending to get another season. We dont have to turn this into something it isnt. I love Lynch and I enjoy some of his work some I I dont care for. But in this case it's so obvious. If someone like JJ Abrams had done this he would have been shit on. Lynch always get a pass on these things, and he shouldnt. I can appreciate the brilliance of The Return, and it had some amazing moments, but this idiotic ending casts shade all over that which comes before it.

I mean we don't have Coop anymore, Laura isn't dead, she is very much alive, but she's not Laura anymore, instead we have someone named Carrie Paige, Palmer's house is not Palmer's house, and Coop & Diane are Richard & Linda...That all makes me feel like 25 years, 47 episodes and Fire Walk With Me was thrown away within the last half an hour. What was the point of building a story if you are going to just make a whole new plotline in the last episode what is supposedly the last episode of entire series? I like Lost Highway a lot, it works perfectly, but ''Lost Highway'' that we get in Part 18 doesn't work at all. It has been such an amazing season, and it most definitely deserved a much better ending than this one.

3 hours ago, ChineseDemocracy2004 said:

I have more questions.

Was Audrey wearing an owl cave ring during her dance?

Isn't there a page from Laura's diary still missing?

Nope. The one armed man had it.

Yes but they went the old physical manifestation route. An example would be like a person could represnt fear. Laura Palmer herself was a physical representation of the missing diary page thus her name Carrie Paige (carry page)

41 minutes ago, Black Sabbath said:

IGN's interpretation/review of the finale is pretty good, but doesn't excuse it in my mind.

http://m.ign.com/articles/2017/09/04/why-twin-peaks-had-the-perfect-ending

Not one iota. This is all just a part of "this season was supposed to be meta/dream" territory. It's a despiration that people who lick Lynch's dirty asshole are trying to justify. Everybody knows that you cannot erase truama and Laura certainly had nothing but a life like that from the age of 12 until she died at 17. But the whole town was in on it together. This season kept everybody at a distance whereas the original every character was together and intertwined. Season 2 explained that Cooper failed so you are going to take season 3 and make Cooper fail again? What in the hell was the point then? We spent more time in Las Vegas than we did in the town the show was named after.

I mean a guy with a green glove was able to kill an everpresent evil by punching him to death? That's comic book bullshit. Cooper didn't confront his own shadow self which was well established and needed. And how in the hell did Cooper even know who Freddie was? Maybe have a scene where Coop was in The White Lodge and have The Giant/Fireman give him a cryptic clue about the guy. It was just so jarring. To go back to my comic book analogy what would be better? Magneto vs Dr. X or Magneto vs Sling Shot?

Yes I get that once Cooper was able to save Luara and undo her death but by doing so it screwed up the timeline. That was very obvious when you see her body wrapped in plastic disappear. The main issue I have with this series is that none of the side characters stories had no resolution and those random scenes of random people at The Roadhouse which didn't add anything. I know I called them asides like how Invitation To Love was but that shit was unneeded considering how this all ended. It was the overall narrative to these characters, you hope you give a shit for, were more fleshed out. It's like the further they went with each episode the more these subplots were just completely dropped. Again it goes into "why bother" territory.

I know that there will be some people disecting, deciphering, theorizing this new seaon (just like they have for the past 25 plus years) but to me I cant see many people rewatching this season though. Why would someone rewatch say, Red's confrontation with Richard, or Hawk and Frank Truman's conversation about the living map, if they know the whole season is a dream in the lodge / parallel reality, and there is no deeper meaning to any of it.

4 hours ago, dontdamnmeuyi2015 said:

I actually Lynch wanted to end the series with a big mystery. He did it 25 years ago, so why change.

Yeah, I'm sure they are laughing all the way to the bank. We watched it and enjoyed it, but I do hate when things are left up in the air, but we can't do shit about it.

It was good while it lasted.

I would have loved another season, but Lynch might do the same thing again anyway.

We never found out what that damn thing was in that glass box either? lol

He DID end it with a big mystery. It's just the execution that sucked.

I enjoyed it at least 85% of it.

Call it blasphemy but I would rather Lynch be not as involved. The original series he only directed 6 of the 30 episodes and there were some that were magnificent. The ones with Tim Hunter, Lesli Linka Glatter, Caleb Deschanel were on par with what he had done. I would not mind if Lynch/Frost oversaw it like showrunners but a season 4 that would be like season 3? I'll pass.

After much thought after the few days of rewatching this and trying to digest it, I feel that part 17 was the resolution and part 18 was a set-up for a new season. Showtime invested alot of money into this property (that they now own) that they do not want to lose those subscriptions. They are holding the cards to close to their hands to just let this slip on by. I believe if we get something else from Twin Peaks it will be something like a 6 episode mini-series or a few feature length films.

Why this hurt me so bad is because Lynch is what got me interested in making films. I feel like I have internalized him that I can understand him. If this has taught me anything it is that I now know the distinction between Lynch fans and Lynch sycophants.

4 hours ago, aliexpress said:

This is an excellent, well written post that basically sums up my feelings towards The Return. That's another thing I don't get, Lynch's work, including what we've all just watched is visually stunning, whats with the shitty CGI?? It's been annoying me since Dougie followed the stupid flying black lodge symbol to the winning slot machines!

Thank you I had to get my vitriol out one way or another LOL and this has been my only safe haven. I am a Lynch fan and love what he's done (except for Dune LOL) 

I mean I was really digging what I was watching until they pulled the rug out from under us with that ending that was nothing more than a combination of Lost Highway and Mullholland Drive. Hell even the ending part with Luara screaming is straight out of Evil Dead 2. It was a Bob Newhart, Bobby Ewing from Dallas, fucking autistic kid from St. Elsewhere with a snowglobe ending where the whole show was in his mind. How fucking corny is that, ya know? I know I couldn't have been the only one checking my watch during part 18 going "holy fuck there's only 20 minutes left, what is happening and what about the other characters?" The original series didn't have a romance between Diane and Cooper so this isn't making any sense. Kyle Mclaughlin even went so far on a fan question on Twitter and asked if we will find out about Annie's fate and he said we would. Yeah we sure did. A casual throwaway mention when they found those missing diary pages of Laura Palmer.

When they first showed The Red Room in all CGI my heart sank and the bile was about to come up. It wasn't Birdemic: Shock And Terror bad but they definately didn't use their budget for some better animation or someone who would know what the fuck to do. I'm a low budget film maker and any type of special effect or CGI I've used was using Sony Vegas 12 and I've gotten the same results. I just get pissed off when a writer or director tries to fling his paintbrush in a haphazzard manner and calls it art. Plus all of the fanboys get all pissy-eyed because "you just don't get the genius maaaaann" "stick to watching Transformers, this is a thinking person's show"

There are ways to put in abstractions in a story, in small but dedicated doses where those abstractions would fit and belong but you cannot just say "fuck it I'm going to insert X cause reasons" because it breaks the narration. The story is the most important part and I don't care what any wannabe experimental film maker dickhead says. We have to have a reason to like, love, fear, laugh, feel empathy, feel something for characters cause they are what drives the story. We need to be immersed with them more than some oddball visual asthetic

2 hours ago, Black Sabbath said:

If they don't do a fourth season then, I'm sorry, but Lynch can fuck off.

 

Movies like Inception can be left open for interpretation, but you don't come back after 25 years to finish your story, only to leave it open for more. In no way is it OK if that's the last episode of Twin Peaks that we get.

It felt like the first episode of a new season and we should be waiting until next week for the second episode.

I would be quite surprised if they do a season 4 because, to me, David Lynch and Mark Frost just gave us a middle finger and are laughing all the way to the bank. Not only for Showtime subscriptions but all of the various merchandise like those Funko Pop dolls and action figures. Anybody with a functioning unpretentious brain knows that the end result (and never ending Dougie subplot) of this season was dog shit. But you know there will be those that are sadists that would LOVE another season just like this last one. You think Axl Rose has nut swingers? Lynch fans outdo him 1000%.

Exactly. Fire Walk With Me was great because while it left room for interpretation it was still a movie that was only 2 hours and 15 minutes long. The reason why was because that was the limit set by the movie company. Lynch couldn't have went over that time limit. Also because it was a bridge between the original series and a prequel. Just by going by the shooting script I read and the FWWM fan-edit the movie would have been 4 hours long and if Lynch could have gotten his way, that's exactly the length it would have been. For all of the great films he's made there was always someone there to reign him in. We got an 18 hour batshit clusterfuck of a "movie". Twin Peaks: The Return is the end result you get when he was left to his own devices.

I always wondered why the original slate for this was only 9 episodes but then ballooned up to 18. I found my answer during the closing credits of the finale. There was a way to make this a short and concise story and explore new realms without having to bloat it more than needed.

I found this theory that this season was just supposed to be all meta. I'll post the link so you can read to what lengths fanboys are doing to justify this season. It is a doozy to say the least. WE the audience created the Tulpas (try not to cringe while reading this nonsense)

https://ozba.wordpress.com/2017/08/31/twin-peaks-audrey-billy-and-living-inside-a-dream/

1 hour ago, ChineseDemocracy2004 said:

Can we all agree that...

  Hide contents

Cooper & Diane travelling 430 miles sent them to an alternate reality?

 

 

 

Without a doubt. The shot goes from sunshine to night time. That and the motel and car change the next morning after they have sex.

A friend of mine wrote a very good post about this that I could possibly get behind, in a metaphorical sense. Still doesn't excuse the absense of the other characters.

If you could take control in a dream and leave it to go behind the scenes of your consciousness, you would find you can enter the dream anywhere and change it, but in doing so you would alter your consciousness. The electricity of your consciousness is a physical thing, and if you were able to manipulate it, you would change not only subjective reality (the dream, the water), but also the objective reality (your self, the well).

"This is the water and this is the well. Drink full and descend. The horse is the white of the eyes and dark within"

Consciousness is outside the well, the white horse of the senses take you there. The dream is the water, and it is within, the source of the senses/electricity.

Cooper is the self, Diane is the dream. Diane takes him to the fantasy, the passion, the sacred. Laura takes him back to the real, the mundane, the profane. Each, by the way, does the opposite of their character, ying and yang.

So,

Cooper read a Dear John letter left in a motel (Linda, Richard) and it was mundane (just like Odessa - the mundane coffee), so his dream made it into a murder mystery in Twin Peaks which was fantasy, an ideal (the fantastic coffee). He dreamed and whilst dreaming tried to manipulate the dream, thus he changed his consciousness/reality. He drove some woman he was investigating on a average FBI case all the way to a town in Washington to try and connect the fantastic dream to the mundane reality. And when it didn't work (Odessa woman has no idea what he wants), he made it work by reverting back into a dream (Laura screams).

In episode 17 he tries to lead her out of the dream, and in episode 18 he tries to lead her out of reality.

And that was Twin Peaks in a nutshell.

2 hours ago, Rdeyahlxp said:

Mark Frost probably just wants to sell his book in october. I think giving Lynch full-control was a bit too much and he needed other people to keep his ego in check. I like him, but a lot of people are licking his old wrinkly balls and worshiping him while he has released his fair share of utter dogshite too. The Monica Bellucci scene was a good example, I heard he flew all the way too France for just that one scene and to get a chance to work with her. I think that's fucking ridiculous. Overall I enjoyed this season, but they could've done a lot more with some characters and leave most Roadhouse characters out entirely.

Oh God yes. My friends who were of the "it was a masterpiece, goodnight everybody" didn't understand why I was so frustrated. All of these side characters felt like it was a telling of an unfinished book. Why write characters and put them in situations so that people get a vested interest in them and not complete their stories? The whole "it is a dream bit" is such an overused and hackey trope. There is also no artistry in using stuff from your own filmography to pad out a script. Unused ideas? Sure thing. But I could sit here and see something appear and go "oh he's referencing Lost Highway, he's referencing Mullholland Drive, etc." That is pure fucking laziness that shows you are out of ideas. That is not moving a story forward, that is going backwards, much to the chagrin of what I've told my Lynch apologists friends. The types that call you a pleb because you didn't agree with them.

The Monica Belluci stuff I'm sure was Lynch doing something off the cuff because he is well known to write something and then change it on the day of the shoot. Sometimes it works but often times it doesn't. If it was supposed to be some sort of meta humor then it failed. Lynch was given a blank check by Showtime and became over indulgent, except with the cheesy CGI effects that I could do with Adobe After Effects. The exception being the nuclear explosion, which was fantastic. Just because you can say "oh the point was that WE the audience was the dreamers" is not satisfactory by any means. The artist is supposed to present their art in its truest form. You can get just enough out of the art, make your interpretations, and fill in the blanks. These were not blanks but huge fucking gaps that you cannot fill.

Lynch has said if the numbers were good then he would consider doing a season 4 but if the outcome will be like how this season and the finale will be then he can cram it. I think he and Frost saw dollars signs knowing that Twin Peaks fans will lap anything related to it. I'm of the opinion that because you shit into a bowl and call it chocolate ice cream doesn't make it so. Hell even Frost said that everything from before (seasons 1 and 2) and what we got in season 3 would all tie up the loose ends. Guess what asshole? It didn't. As much as people are mad at Lynch, Mark Frost should take 50% of the blame cause he co-wrote the fucking thing. To me they took a giant shit on a show that I have enjoyed for the past 27 years. They took a shit on all of us older fans who have been championing, like myself, for the show to return. Yes it didn't have to be fan service or a pure nostagia trip. I understand that much. But I was left with "OK well that just happened...."

1 hour ago, dontdamnmeuyi2015 said:

God who the hell knows?

If this turns out to be a dream, I will scream just like Laura Palmer. lol Hate the whole dream shit.

Yeah, was Audrey in a mental hospital? It seemed like it since all we saw was her in white with padded walls.

I really do hope the series comes back. I hate unfinished shows and movies. I don't want to have to think up story lines for myself. I don't like to do that.

Too many unanswered questions and I really hope Lynch will at least answer some of them.

I agree with you too. The whole Road House un named characters were a total waste of time.

I did enjoy most of the season too, but I really do want answers. I also missed having more scenes at the hotel. I love that hotel. It was so important in the second season.

Also how the hell did Jerry run all the way to Wyoming? lol

Yeah even I don't know why Sarah went ballistic.

I have the sad distinction it was a dream and it turned into a nightmare. As much as dreams and refernces to dreams have been pointed out I say it is safe to assume. Either that or it was Lynch's way of introducing his new age trancendental meditation horseshit on the people. "We are the dreamers who dream and then live inside of the dream" Either way it was a big middle finger to us all.

Audrey wouldn't be in a mental hospital. To think of this logically, mental hospitals don't have mirrors that swing out. They are only about as thick as a sheet and are bolted to the walls so nobody can smash them and hurt themselves or others. Also there were the sounds of electricty and the end credits to her song were played backwards so, storywise, I think she is in one of the lodges.

And yes I agree with you. We don't need to be spoonfed information but for fucks sakes give us enough off of that spoon so we can taste the morsel. They are supposed to be the storytellers not us.

Lynch wil NEVER give you any answers. The man has never operated in that fashion.

The random Roadhouse characters were nothing but red herrings which as Agent Cooper said in the earlier 90's series "is not a fish I particulary care for"

Jerry ended up in Wyoming because reasons