Jump to content

Voodoochild

Club Members
  • Posts

    3,547
  • Joined

  • Last visited

  • Days Won

    22

Posts posted by Voodoochild

  1. 28 minutes ago, DTV88 said:

    Yes, I totally understand and agree. I’m just going off the other three songs that all have seem to have the identical vocal tracks as the Village Leaks. If he couldn’t be bothered to add a second verse to the officially released Absurd I doubt he’s added anything significant since 2006 when CD was done prior to Bumblefoot’s additions.

     

    Of course, I would be happy to be proven wrong!

    I get that and I agree, but it's just that we don't know for sure. And maybe the fact that both songs were not part of the Village batch means that it would still need some overdubs by 2020-ish. It's not safe to assume anything until we have access to some demo from pre-NITL era.

    • Like 2
  2. 10 hours ago, MaskingApathy said:

    I think the video shoot is related to the Magnatone amp.

    But why would he use that semi-hollow guitar for the Magnatone video?

    10 hours ago, MaskingApathy said:

    Yeah that looks cool too. My brother played through the new Friedman 50w plexi which is part of their "Vintage" line and that's a cool amp. 

    So we go to the Magnatone booth and finally there's not a lot of people around and it's open for us to play. My brother goes first, jams a few licks and a little bit of Dr Alibi, then I try it. Can't really turn it up at the level it's intended to be at so it's not as overdriven as it should be, but I play some licks and the riff from We're All Gonna Die then the Magantone guy (same guy who's in those videos that have been shared here) is like "hey other people want to play too." Other people was just one older guy who then takes the guitar and plugs into the other amp (the baby M-80 or whatever they're calling it) and plays old man blues licks. Like dude, we just want to play for a few minutes and try it out, we're not going to stay there for a long time. Their overall presention was very disappointing too, certainly not as good of a job that Marshall or someone would've done.

    Oh the amp itself is just another Marshall copy, super overrated and way overpriced. I'm sure it sounds awesome at concert volume but it's designed for one particular sound, which you can get with lots of other amps too.

    Not sure how old you are, but the older guy may have looked like (meaning: $$$) he would be the target costumer for the company hahaha

    Anyways, that sucks. And I totally get what you said about the amp. And it's a 100 piece limited run, which will no doubt make an already expansive gear into a collector's item. Fuck that.

    13 hours ago, Rindmelon said:

    Isn't there a VR song called that? A version of one of the demos put out there for singers to try out 

    The VR before Scott sounded really good IMO. With a good producer, I think it would be really awesome. But I totally get why they didn't want to slap some generic LA singer on top of all that and instead wanted to try someone really different. 

  3. 28 minutes ago, Free Bird said:

    I really hope he‘s well informed and knows what he‘s talking about. I somehow doubt it. Not saying he‘s lying but probably he‘s not remembering it correctly :shrugs:

    21 minutes ago, Free Bird said:

    A release date in March would mean he couldn‘t promote it like he use to promote his records. I think it‘s most likely that he‘ll finish the tour, promote it for one or two months with interviews for big magazines etc. and release it in summer.

    Maybe it will have a single by March. All things considered ®. 

    • Haha 1
  4. 5 hours ago, Ant000 said:

    Slash works fast, but if it was coming in like ~6-8 weeks I feel like we'd have seen a few more signals by now. 

    It'd be kinda sick if Slash just served up a song that was completely his own creation for Axl to sing on, to contrast all the recent CD frankensteins. 

     

    Also, who exactly is that Magnatone amp for? ~$8000 for the amp and cab. Dentists of the world, get ready to riff. 

    And the amp interviewer didn't like Slash in GNR, but liked his solo stuff?? No. No. No. 

    I think there's a lot of controversy out there because of this amp being so much like a JCM but overly priced. As someone who can't afford a JCM anyways, I'll just have to go with my cheap gear lol.

    The Magnatone guy repeated the same thing about Slash's solo album coming in March in this interview for Andertons:

     

  5. Edited with the SERPENT festival announcement:

    --

    Edited again with official info about the single. Will update once the full tracklist goes official.

    The first song is Killing Floor (feat. Brian Johnson). It's already out depending if you live in the future.

    --

    Edit: Seems like something is coming indeed.

    ---

    <Original post>

    The Magnatone guy kinda went ahead and said he thinks Slash's new solo album will be out by March. Check it out from 2:12 below. 

     

    • Like 2
    • Thanks 1
  6. 23 hours ago, Free Bird said:

    In all honesty and in my opinion of course, SIDHY is the worst song, that the classic era has ever released. I don’t count My World which I don’t consider to be a song at all. 
    I agree on the combo you posted. Good stuff and it peaks into Raw Power and Ain‘t It Fun.

    I don't consider it the worst song, but I think it's boring. I agree 100% with Raw Power and Ain't it Fun.

    22 hours ago, downzy said:

    Never understood the love that Ain't It Fun got.  Good vocal and guitar performances, but the never liked the song itself.  

    I love it. It was one of the songs (alongside with Breakdown) that got me into learning how to play a guitar.

    • Like 1
  7. The full release notes:

     

    Release from Guns N' Roses: "The General" Music Video**

    Guns N' Roses have unveiled a new music video for their single "The General." This release marks a significant milestone for the band, as it introduces a pioneering use of AI in their video production.

    The video masterfully combines live footage, motion graphics, hand-drawn elements, and AI-rendered content, offering an immersive, A.I.-infused visual experience.

    It features a narrative that explores the subconscious of a young boy confronting his dark childhood memories, seamlessly blending different visual worlds. This approach continues Guns N' Roses' tradition of delivering bold and innovative visuals.

    The project was brought to life in collaboration with London based Creative Works, and led by Creative Director and Co-Founder Dan Potter, the concert visuals director for Guns N' Roses.

    Potter explains, "The decision to integrate AI into our storytelling process was inspired ultimately by the band management. Prior to combining the AI workflow, the team had been working on an animated cinematic in Unreal Engine. Incorporating this new AI workflow significantly impacted the project's direction and the unique visual style resulting from this blend aligns perfectly with the song's vibe. This showcases how using these new tools leads to successful collaborations between traditional and AI-driven art forms."

    Link in Bio to the full music video or just check out the Guns N' Roses YouTube channel

    • Like 1
    • Haha 2
    • Confused 1
×
×
  • Create New...