Voodoochild

The "DIVE IN AND FIND THE MONKEY" attitude.... killed me back then and now again.

People think that the management's role is to force a release out from the artist. Even though Axl struggled a lot with CD, it wouldn't come out if didn't want to. It's the same thing now: the band is not releasing new music because Axl didn't want to work on it before. We don't even know if he's working on it right now, although it's very likely that home demos or even previous years recordings could be worked on (individually). It seems like everyone in the band but Axl would be more than ok to get together and write and release new things. Still, people think it's TB's job to force him to move on. He's not a baby.

With AI, you should probably be aware that fake stuff like this will pop-up a lot more here. The uploader didn't say where it came from and, judging by the sound of it, sounds totally like Garage Band fake orchestra and synths. Slash's solo is amazing, but the song is way too long (which I don't mind if the music is interesting, but in that case I didn't really think much of it).

Nightrain's outro solo was way shorter, tho. And it's one of my all time favorite Slash's solos, so I think I prefer the AFD even with the fade-out.

He mentioned something about the newer NITL singles, which I assume are Perhaps and Hard Skool. Wasn't there some debate about HS, if it was him or Brain? He's super cool and I was surprised when Rick asked about CD, it was almost the end of the interview. I'd love to hear him talk about the album in a technical level.

More like AI things considered

In case any of you are curious, here's the video played in the background:

There's a new Tommy Stinson interview conducted by a friend of mine for a Brazilian website. There's no real news, he repeated what he said before about his thoughts on CD, the different personas in the band and so and so. He did say that TWAT was his favorite song, and Catcher had "interesting lyrics". If people want, I can translate the exact quote. Or you can just use Google Translator: https://screamyell.com.br/site/2024/04/17/entrevista-tommy-stinson-fala-sobre-novo-disco-solo-os-anos-com-o-guns-n-roses-e-o-legado-do-replacements/

I don't know either. I was hoping for @Blackstar to point exactly from where those came from lol

After a quick search on Google, I found this website citing this quote, but it did not say from where: https://www.bookey.app/quote-author/axl-rose#:~:text=In the famous words of,in order to truly live.

LOL I didn't notice that. Sorry, I'm an amateur.

Of course it's official. It's unmistakable amateurish with lower case "rose" and one-sided quotation mark:

I agree, but to be very cynical, Axl's voice here wasn't in a good shape either. And I like the album arrangements better than this pre-AFD state, most notably Rocket Queen's outro, Anything Goes lyrics and Nightrain extended outro.

He also predicted Instagram.

I think he used it for Oh Well too. You can hear him attacking the tremolo bar in the outro.

I liked it. I actually liked the outro, quite a lot.

I like it more than Killing Floor. At the end (3:40 ish) is that him using the bigsby bar in his new guitar?

I've watched once it came out and I wish I hadn't.

I noticed I had several of my covers restored from the dead. Maybe there's something finally going on with all of this bullshit.

It was already been discussed here:

IMO because it all feels like an already outdated esthetic. Not as cool as 60s Beatles, but just some trippy-ish noise that people will find it (even more) ridiculous in the future. Kind of like this very 2000s visuals:

AI ruins everything!

I def prefer Gary Moore. This is unbelievably good. There's some no names that are good.

Yeah, and before that it was on Thin Lizzy with Gary Moore (and in his solo career). It's an awesome piece of history.

Crazy to think that this Peter Green's guitar is now playing Metallica songs