StrangerInThisTown

Honestly if they have some actual good songs like Oklahoma in the can, and break out some more UYI cuts like Breakdown, Shotgun Blues and The Garden, that would be enough to go on another tour without a new album. I'd go see that. But just going out with Monsters and Atlas seems a bit thin, but they will probably do that if the demand is there ticket wise.

It was only pulled from CD due to time constraint reasons, so I don't see it not coming out, other than for Slash or Duff saying this is shit to Axl, which they won't do when they even said yes to The General lol.

They also have shitty Atlas Shrugged lol

Yes there was, GNR played a journalist a cassette demo of it in when they were in London in 1987.

This comment from Youtube lol: @Nitromessiah 7 hours ago This is one of the worst version of this classic song I've ever heard. Slash wrote 1-3 great licks, and has made an entire career off of it. He's just average at best, but he looks cool doing it.

Slightly underwhelmed after the first listens. I believe it has nothing to do with the recording, I just prefer Teddys voice on it because I'm used to the Slash's Blues Ball version, his voice just sounds infinitely more badass, it's closer to Rod Jacksons, while Chris delivery comes across more gentle (sort of like Myles vs Axl on GNR songs).

He also reached a great note during "SECURITY FUCKHEAD" in the Better performance from France in 2017

There won't be any lead guitar by anyone other than Slash or Fortus on new GNR songs. It is literally asinine to me to think you're gonna hear Buckethead soloing on new GNR releases while Slash is in the band. None of the Slash replacement dudes solos will stay on whatever they plan to release...that is an OLYMPIC LEVEL stretch. Don't set your own self up for disappointment like many like to do with this band.

Mine is probably by far the most obscure, I'd be shocked if anyone is familiar with it. Look up "Guns Live 86 Nightrain" on Youtube, instead of a solo, the song ends with the chorus, and the very last line of the song the "TONIGHT", Axl sings it different than usual. He goes into his lower register and a blues vocal run. Don't recall him singing it that way any other time. Always wished it was on the album version.

Either it was mistakenly uploaded early, or it could be that Slash just fucking loves Australia

It's still only out in Australia

That solo is complete mayhem in the best way possible

Axl in the assless pants is priceless lol

Should've called the album Orgasmic Blues, that's a way better album title lol

Man I forgot Anything Goes used to be an 11+ minutes song, so cool to see again.

He "hopes" Axl is mixing the track right now? great lol

Raise Hell is one of the best rock songs I've heard in the last decade, and I thought the last album was a big step up from the first two, Dorothy is one of those newer rock bands that is worth checking out. I find it no surprise Slash wanted to work with her.

That must hurt like fuck if it's anywhere close to the tattoo removal laser.

Soon is the best word ever to not get criticized for when something doesn't happen

Thank you. Enough said, honestly.

That's..because those are huge hits that everyone knows. Not because the music genre is any different.

I think what happened was GNR didn't fit in by the point of 1987 as you said, and then, the entire scene changed into THEM, making them (involuntarily) part of it (or the publics perception of it). GNR stopped being glam sometime after the WTTJ video. If you don't look glam, you aren't glam anymore, no matter what your music sounds like. And in reverse when you're glam with your look but you put out the same music as GNR, people still call you glam metal.

Well pardon me if I don't understand, if all I have to work with here are one sentence replies or detailed assessments such as "literally no difference if you've got shit in your ears"

If you have such a detailed sense of separation of music that is all blues based hard rock, you are far out from what the public perceives, which makes it then understandable that you found it hard to believe they lump them in together.

Literally couldn't disagree more because: the only difference might be the topic of the lyrics and/or the look of the members, which is what sways peoples perception big time. Not the music in itself, it's ALL blues based hard rock, all the visual bullshit aside that people want to take into account. I'd even go so far to say that Dr. Feelgood is a straight up attempt to copy the success of AFD in that sense.