bmus1
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Everything posted by bmus1
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Come on now, Axl Rose is not allowed to poke fun at bands that got rid of original members. But yeah this would stink. And as others said, I think the Motley audience basically a more narrow chunk of the GNR audience. The glam people love Appetite for Destruction, but Motley is a joke to a lot of hard rock folk. Although they grabbed Bob Rock to record 3 new songs recently, so kudos for actually doing that.
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Duff McKagan on Guns N’ Roses tour and new solo album
bmus1 replied to Original's topic in GUNS N' ROSES - DISCUSSION & NEWS
Yeah digital only. They usually come out 5-8 weeks after the album to re-boost on streaming platforms as a “new release”. -
Duff McKagan on Guns N’ Roses tour and new solo album
bmus1 replied to Original's topic in GUNS N' ROSES - DISCUSSION & NEWS
Expanded edition is out today! I was hoping for a new version of Mezz with Slash from the same sessions Hope is from, but the new tune with Jesse Dayton is cool. I think Longfeather is the best solo Guns song since they reunited. -
Lol lemme rephrase; I need to listen to the 2nd album more than once
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It’s actually crazy how much this band can make you think in circles if you try. I just listened to Soul Monster and goddamn it’s great. If I take the optimistic thinking route with the leaked titles like Seven, I can 100% fool myself into thinking CD II is possible and would be great. Knowing Absurd and The General were released when Atlas has complete vocals, knowing Soul Monster is still not officially released… it’s possible.
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I always find it interesting to read posts from people hoping for a VR reunion. I started listening to Slash around 2010, so to me VR is just another one of his numerous pre-Myles solo groups. I need to give them a proper deep dive. Would a VR reunion without Scott actually have different traction versus SMKC?
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Killing Floor - Slash feat. Brian Johnson
bmus1 replied to Free Bird's topic in GUNS N' ROSES - DISCUSSION & NEWS
Good call, looks like they brought Ghost back too for that one. -
Killing Floor - Slash feat. Brian Johnson
bmus1 replied to Free Bird's topic in GUNS N' ROSES - DISCUSSION & NEWS
This made me look at all of Slash's streaming numbers on Spotify and I'm surprised at how big of a hit WoF still is. That's always been my favorite, but Bent to Fly, Dirty Girl, and Shadow Life all have more plays than You're a Lie. I wonder why he doesn't play Dirty Girl or Shadow Life but treats You're a Lie and River is Rising like the "hits". -
What's really a shame is that they all seem to be on more of a similar page musically than ever. Duff's new album is very 70s rock flavored, most of Axl's recent cover choices have been rooted in 60s/70s rock and blues, Slash is doing a blues album. Plus they brought Bad Obsession and Anything Goes last year which fall right in that vein.
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Editing fuck-up is my best guess too. It's not a mistake of Duff's either, just that the drums are too synthetic feeling to get any sort of groove between the rhythm section. My theory is someone else's that I read here years ago; Melissa programmed the drums using samples from Frank's kit and Frank's input, but the parts weren't actually performed by a drummer. Looking at the five CD remakes we have, Hard Skool and Monsters (in the chorus) both use the same drum samples. From the afterparty leak, we know Monsters is now more of a straightforward rock beat song than it was in 2010. Hard Skool is also dramatically reworked from the Village Leaks. It's possible that the bass/drum intro of Hard Skool was written before Duff and Slash joined, but all of this leads me to believe Perhaps, Absurd, and The General were more or less arranged before Duff and Slash rejoined (we know this to be true for Perhaps and Absurd), while Hard Skool and Monsters were reworked in greater depth by Slash and Duff, leading to new drum machine drums. The drums also don't sound the same tonally as Frank's initial recording sessions (Chinese Democracy, Oh My God BBF version are the two best examples of that I think).
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The drums aren't wrong as much as they feel incomplete when you try to play them note-for-note. From 0:14 to 0:18 there's the missing kick drum under the sudden switch to the cymbal and a swung snare hit followed by a heavy handed snare roll, all together in a row. Live, Frank doesn't switch to the cymbal and plays a more natural sounding fill to transition into the verse. 2:01 to 2:24 also sticks out to me as something a real drummer wouldn't play based on how little it grooves, and how little interplay there is between the kick drum and bass guitar. But re-watching the live version made me realize Frank plays it way closer to the original than I thought. Still though, Frank adds ghosted snare notes and extra kick hits across the whole song, which goes back to the incomplete drum part idea. (time stamps are referencing the studio version btw)
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I've noticed that about Myles in the last 5 or so years. He's becoming way more subdued on stage, and he never was an Axl to begin with. I also noticed the setlist has been starting to incorporate more breaks for him. The dude is a true professional balancing a ton of projects, and he'll be 55 this year, I think he's been doing the smart thing and listening to his body. That being said, I'd love to see the Conspirators take a few years off and come back strong instead of the obligatory tour every year and a half. With full respect to Frank, my dream Conspirators configuration is Myles more fully involved and playing guitar, and incorporating Todd vocally in the studio. I feel Myles as an instrumental band member was a big reason Apocalyptic Love felt so strong and cohesive.